1967 stands out as a year when global cinema took giant leaps forward in storytelling, character development, and visual aesthetics. Directors from all corners of the globe explore a wide range of themes, from societal challenges to personal introspection, often combined with groundbreaking cinematic techniques. This was a year that showcased a diverse range of genres, styles, and narratives, each bringing their own unique flair to the big screen. From groundbreaking dramas to innovative thrillers, and from art-house masterpieces to revolutionary action films, 1967 offered a treasure trove of cinematic gems. Without further ado, let’s take a look at the ten best films of 1967.
10. Branded to Kill – Seijun Suzuki
“Branded to Kill,” a Japanese film directed by Seijun Suzuki, tells a compelling tale of a Yakuza hitman, Hanada, infamously known as the “Number 3 killer”, who maneuvers through a perilous underworld of crime and betrayal. Hanada’s life undergoes a drastic change when he unexpectedly fails a high-stakes mission, plunging him into a dangerous game of survival, where every moment is a test of his wit and will. The film stands out due to its surreal imagery and unexpected plot twists, depicting Hanada’s descent into madness and obsession in a world where reality and illusion intertwine.
Suzuki’s direction fills the film with a unique visual style, defined by its striking black-and-white cinematography and innovative camera angles that defy conventional norms. The narrative structure abandons traditional storytelling, creating a disjointed yet utterly captivating experience that challenges and engages the viewer. “Branded to Kill” asserts itself as a standout in the crime genre, combining elements of absurdity and dark humor in an avant-garde approach. The film’s legacy in Japanese cinema is significant, casting a long shadow over subsequent generations of filmmakers with its bold and unconventional approach that continues to inspire and provoke.
9. Two in the Shadow – Mikio Naruse
“Two in the Shadow,” directed by Mikio Naruse, is a Japanese drama that masterfully explores the intersecting lives of two individuals, unexpectedly brought together by the whims of fate. Set during the transitional time of post-war Japan, the film tells the heart-rending story of Yumiko, a widow burdened by her loss, and Shiro, a man equally haunted by his past, who unexpectedly find solace and understanding in each other’s company. As their relationship gradually develops, they grapple with the complexities of moving on from their past sorrows, each step forward a testament to their growing bond. The narrative provides a delicate exploration of love and loss, showcasing the subtleties of human connections.
Naruse’s film is widely acclaimed for its sensitive portrayal of human emotions, deeply exploring the psyche of its characters. The cinematography not only captures but amplifies the performances of the lead actors, enhancing the film’s contemplative mood and drawing the viewer into the very soul of the story. The director employs a restrained yet powerful storytelling technique, carefully crafted to allow the viewer to engage deeply with the characters’ internal struggles. “Two in the Shadow” is celebrated for its quiet intensity and emotional depth, offering an insightful portrayal of resilience and the capacity for renewal amidst the challenges of life, making it one of the best films of 1967.
8. Cool Hand Luke – Stuart Rosenberg
“Cool Hand Luke,” directed by Stuart Rosenberg, tells the gripping story of the rebellious Luke Jackson, masterfully played by Paul Newman. Convicted for a comparatively minor offense, Luke is sentenced to a Florida prison camp, where he refuses to conform to the harsh realities of the penal system. His unbreakable spirit and bold defiance against the oppressive authority figures rapidly make him a hero among the other inmates. The film follows Luke’s journey, painstakingly highlighting his various escapes and the consequential ripples they create in the rigid world of the prison.
Rosenberg’s film is a study of individual rebellion against oppressive systems. Newman’s performance is both charismatic and deeply reflective, seamlessly capturing the essence of a man who relentlessly challenges authority at every turn. The film’s narrative is greatly enhanced by a strong supporting cast, each character adding a layer of complexity to the story of resilience and defiance. “Cool Hand Luke” is a bold statement about the human spirit and the innate desire for freedom, resonating with audiences to this day.
7. Marketa Lazarová – František Vláčil
“Marketa Lazarová,” directed by František Vláčil, is a historical drama set in the medieval Bohemian landscape. The film, adapted from the novel by Vladislav Vančura, tells the tale of Marketa, a young woman ensnared in the midst of feuding clans. Her life undergoes a dramatic transformation when she is captured by the son of a rival clan leader, triggering a chain of events that combine violence, passion, and destiny. The narrative is richly layered and complex, accurately reflecting the brutal and chaotic nature of the period.
Vláčil’s masterpiece is widely celebrated for its stunning visual composition and atmospheric storytelling. The film’s black and white cinematography not only captures but also enhances the haunting and immersive experience, skillfully depicting the harshness of the medieval landscape. The director’s impressive attention to historical detail and his experimental narrative style combine to make “Marketa Lazarová” a distinctively unique cinematic experience. It proudly stands as a monumental achievement in Czech cinema, universally acclaimed for its artistic brilliance and historical authenticity, earning its place as one of the best films of 1967.
6. Dragon Inn – King Hu
“Dragon Inn,” directed by King Hu, is a standout martial arts film set during the time of the Ming Dynasty, focusing on a power struggle within the royal court. The central conflict dramatically unfolds at a remote inn, a crucial crossroads where various factions converge, including a noble family targeted for execution and a dedicated group of loyalists determined to protect them. The inn transforms into a stage for spectacular martial arts battles, brilliantly showcasing skill, strategy, and bravery.
King Hu single-handedly revolutionizes the martial arts genre with “Dragon Inn,” seamlessly combining stunning choreography with a compelling narrative. The film is celebrated for its breathtaking fight scenes, which are not just visually spectacular but also filled with deep narrative significance. Through King Hu’s vision, each character is skillfully developed, adding a further layer of depth and intrigue, and contributing to the overall tense and dynamic atmosphere. “Dragon Inn” is a thrilling cinematic experience that blends artistry with adrenaline, ensuring a lasting impact on the genre and its audience.
5. The Graduate – Mike Nichols
“The Graduate,” directed by Mike Nichols, unravels the story of Benjamin Braddock, a recent college graduate brilliantly portrayed by Dustin Hoffman, who navigates through a complex web of prevailing societal norms and personal uncertainty. His aimless wanderings inevitably lead him into a complicated affair with Mrs. Robinson, an older woman, and subsequently into tangled feelings for her daughter, Elaine. The film captures the confusion and disillusionment of youth, all set against the ever-changing landscape of American society.
Mike Nichols’ direction in “The Graduate” is notable for its innovative use of camera angles that add a unique perspective to the film’s visual storytelling. Hoffman’s portrayal of Benjamin is both relatable and deeply resonant, effectively capturing the existential angst of a generation caught between traditional values and emerging new ideas. The film’s exploration of themes such as alienation, romance, and the quest for meaning continues to resonate with audiences to this day. “The Graduate” stands as a cultural landmark that encapsulates the spirit and challenges of its era, ensuring its place as one of the best films of 1967.
4. PlayTime – Jacques Tati
“PlayTime,” directed by Jacques Tati, is a unique cinematic creation that cleverly presents a satirical view of modern life. Set in a highly stylized version of Paris, the film follows the character Monsieur Hulot, memorably played by Tati himself, as he navigates a series of humorous encounters in a technologically advanced city. The narrative intentionally lacks a conventional plot, instead bringing together a series of unique scenes that explore the absurdities of modern living and the cold, impersonal nature of the urban landscape, highlighting the isolation and confusion often felt in such environments.
Tati’s visionary film is celebrated for its innovative use of sound and visuals to not only create humor but also offer poignant social commentary. The director’s attention to detail results in a deeply layered visual experience, where each frame is densely packed with comic potential and satirical observations. The film challenges traditional narrative structures, mostly relying on visual gags and the choreography of characters gracefully moving through the futuristic cityscape. “PlayTime” remains a milestone in film history for its originality, artistic vision, and its ability to playfully deconstruct the complexities of modern life with a light-hearted yet thoughtful touch.
3. Samurai Rebellion – Masaki Kobayashi
“Samurai Rebellion,” directed by Masaki Kobayashi, is a powerful drama that takes place in 18th-century Japan. The film tells the story of Isaburo Sasahara, an aging samurai portrayed with depth by Toshiro Mifune, who finds himself increasingly at odds with his clan’s lord. The conflict erupts when Isaburo’s son is compelled to marry the lord’s former mistress, only for the couple to unexpectedly develop a genuine bond, directly challenging the rigid hierarchies and strict expectations of their feudal society. As tensions inevitably escalate, Isaburo is forced to make a stand, risking his honor and family in a defiant act of rebellion.
Kobayashi’s film is a brilliant blend of character study and social critique, examining themes of loyalty, honor, and the individual’s struggle against oppressive authority. The director’s masterful storytelling and Mifune’s compelling performance combine to create a deeply engaging narrative that rightfully earns its place as one of the best films of 1967. Its emotional depth combined with the steadily escalating tension build towards a dramatic climax, making “Samurai Rebellion” not only a gripping tale of personal and moral conflict but also a thoughtful commentary on the human condition and its inherent complexities.
2. The Young Girls of Rochefort – Jacques Demy
“The Young Girls of Rochefort,” directed by Jacques Demy, is a vibrant musical that takes place in the picturesque town of Rochefort. The film focuses on twin sisters, Delphine and Solange, who hold dreams of finding romance and excitement beyond their seemingly mundane lives. Their quest for love becomes intertwined with the lives of a charming fairground worker, a music shop owner, and a famous American composer who happens to be visiting the town. The film is a delightful blend of dance, music, and romance, effortlessly capturing the spirit of young aspirations and unexpected chance encounters.
Jacques Demy’s film is a vibrant celebration of color, music, and choreography, firmly establishing it as a standout musical of its time. The film is distinguished by its lively dance sequences and the enchanting score by Michel Legrand, which greatly enhance its whimsical charm. The pastel hues of Rochefort and the engaging performances by the cast collectively create an enchanting world. “The Young Girls of Rochefort” is more than just a musical, but a joyful ode to love, dreams, and the magic of happenstance that resonates with audiences of all ages.
1. Le Samouraï – Jean-Pierre Melville
“Le Samouraï,” directed by Jean-Pierre Melville, is a French crime thriller that immerses viewers in the life of a solitary hitman, Jef Costello, portrayed with an air of icy coolness by Alain Delon. The film begins with an intense scene where Costello prepares and executes a hit in a Parisian nightclub. However, his carefully constructed alibi slowly begins to unravel when he is seen by witnesses, igniting a tense cat-and-mouse game between him and the police. The narrative is tense and atmospheric, masterfully capturing the existential sate of mind of its protagonist amid the shadowy streets of Paris.
Melville’s film is a masterclass in minimalist storytelling and style, seamlessly blending visual austerity with narrative intensity. Its influence on the neo-noir genre is profound, marked by stark cinematography and a sparse, yet impactful, script. Delon’s performance as the enigmatic hitman is deeply engaging, perfectly embodying the archetypal anti-hero with a captivating presence. “Le Samouraï” is a film that transcends its crime thriller roots, offering a thoughtful meditation on solitude, honor, and the inescapable nature of fate in a world rife with moral ambiguity, ensuring its place as one of the best films of 1967.
Summary
To summarise, here are the ten best films of 1967:
- Branded to Kill – Seijun Suzuki
- Two in the Shadow – Mikio Naruse
- Cool Hand Luke – Stuart Rosenberg
- Marketa Lazarová – František Vláčil
- Dragon Inn – King Hu
- The Graduate – Mike Nichols
- PlayTime – Jacques Tati
- Samurai Rebellion – Masaki Kobayashi
- The Young Girls of Rochefort – Jacques Demy
- Le Samouraï – Jean-Pierre Melville
