1962 was a standout year for cinema, with filmmakers from around the world pushing the boundaries of storytelling, visual aesthetics, and thematic exploration. Films from this year not only captured the spirit and zeitgeist of the time but also laid foundations for future generations of filmmakers. These movies, distinguished by their depth and diversity, offer insights into the human experience, politics, and the essence of art itself. Each film on this list is a testament to the visionary directors, talented actors, and creative minds who brought these stories to life. Without further ado, let’s take a look at the ten best films of 1962.
10. To Kill a Mockingbird – Robert Mulligan
In “To Kill a Mockingbird,” directed by Robert Mulligan, the narrative unfolds in a small Alabama town, set in the struggles and societal challenges of the Great Depression era. The film focuses on the lives of young Scout Finch, her brother Jem, and their widowed father Atticus, who is depicted as a principled lawyer with a strong moral compass. Atticus faces the complex task of defending Tom Robinson, a black man falsely accused of assaulting a white woman. This trial not only exposes the deep-seated racial prejudices in the community but also significantly impacts Scout and Jem’s understanding of justice and morality, altering their perception of the world around them.
Mulligan’s adaptation of Harper Lee’s beloved and critically acclaimed novel captures the complexities of childhood innocence clashing with the often harsh and unforgiving societal realities of the time. The film illuminates the pervasive issue of racial injustice and the loss of innocence through the eyes of Scout. Gregory Peck delivers an iconic performance as Atticus Finch, embodying integrity and empathy in a community sharply divided by racial tensions. The film’s narrative is a powerful exploration of human ethics, family dynamics, and the pursuit of justice in an unjust world, presenting these themes with both sensitivity and a profound understanding of the human condition.
9. The Fabulous Baron Munchausen – Karel Zeman
“The Fabulous Baron Munchausen,” directed by Karel Zeman, is a whimsical adventure that effortlessly transcends the boundaries of conventional storytelling. The story begins with a modern astronaut unexpectedly landing on the Moon, only to encounter Baron Munchausen, a charismatic and eccentric figure who claims to have arrived there centuries earlier. Together, they embark on a fantastical journey, seamlessly traversing through various mythical and historical settings, effectively blurring the lines between reality and fiction. The Baron’s exaggerated tales and larger-than-life persona dominate the narrative, leading to a series of surreal and imaginative escapades that are sure to captivate and intrigue.
Karel Zeman’s film is a celebration of creativity and the art of visual storytelling at its finest. The movie masterfully combines live-action with various animation techniques, creating a unique visual style that is both enchanting and innovative, setting it apart from other films of its time. The narrative is filled with humor, romance, and a sense of wonder, effectively capturing the spirit of the legendary Baron Munchausen’s tales in a way that resonates with viewers of all ages. It stands out as a pioneering work in the genre of fantasy cinema, offering audiences an escape into a world where imagination knows no bounds and where the extraordinary becomes the norm, ensuring its place as one of the best films of 1962.
8. Sanjuro – Akira Kurosawa
In “Sanjuro,” directed by Akira Kurosawa, the story revolves around a masterless samurai, Sanjuro, memorably portrayed by Toshiro Mifune. Sanjuro, with his rugged appearance and sharp wit, finds himself amidst a group of young, idealistic samurais who are naively planning to expose corruption within their clan. His world-weary cynical view of the world and astute strategic thinking immediately clashes with the simplistic and overly optimistic approach of the young warriors. As the plot progresses, Sanjuro, with a mix of reluctance and resolve, guides them through various confrontations and challenges, revealing the complexities of honor and duty in feudal Japan.
Kurosawa’s direction in “Sanjuro” seamlessly blends action with subtle humor, creating a narrative that is both engaging and thought-provoking. The film is particularly known for its dynamic swordplay scenes and the exceptional depth of its main character, which is portrayed masterfully by Toshiro Mifune. The interactions between Sanjuro and the young samurais not only offer insights into the values and moral dilemmas of the era but also reflect the generational differences in approaching life’s challenges. “Sanjuro” stands as a testament to Kurosawa’s ability to craft compelling stories within the samurai genre, elevating it beyond mere action into a reflection on leadership and morality.
7. Il Sorpasso – Dino Risi
“Il Sorpasso,” directed by Dino Risi, is an Italian comedy-drama that wonderfully captures the essence of a fleeting friendship. The film follows the carefree, extroverted Bruno and the reserved law-student Roberto as they embark on a spontaneous road trip across the picturesque Italian countryside. Their journey, replete with humor, adventures, and unexpected revelations, contrasts their differing personalities and philosophies on life, providing a wide array of human experience. As they travel, the duo encounters various characters and situations, each adding a unique layer to the cultural landscape of Italy in the early 60s.
Risi’s film is widely celebrated for its sharp, witty dialogue and vibrant depiction of Italian life. The chemistry between the lead actors, Vittorio Gassman and Jean-Louis Trintignant, effortlessly adds depth and charm to their characters’ evolving relationship, making it a key component of the film’s appeal. “Il Sorpasso” effectively uses its road trip narrative to explore themes of freedom, youth, and the search for meaning in a rapidly changing world, ensuring its place as one of the best films of 1962. The film remains a beloved classic in Italian cinema, consistently remembered for its engaging storytelling and its insightful reflection on the joys and sorrows of human connections.
6. Cléo from 5 to 7 – Agnès Varda
“Cléo from 5 to 7,” directed by Agnès Varda, presents a slice of life from the perspective of a young singer, Cléo. The film uniquely unfolds in real time, thoughtfully capturing two hours in Cléo’s life as she anxiously awaits the results of a medical test that could confirm a cancer diagnosis. During this tense and reflective period, Cléo boldly confronts her fears and insecurities, aimlessly yet purposefully wandering through the streets of Paris. Her interactions with friends, strangers, and her surroundings reflect her evolving mindset about life and mortality, offering a window into her soul.
Varda’s film is widely considered a cornerstone of the French New Wave, especially known for its realistic portrayal of a woman’s internal struggle and the existential themes it so effectively explores. The use of real-time narrative skillfully creates an intimate connection with Cléo’s character, which is brilliantly played by Corinne Marchande. The streets of Paris actively serve as a character in the story, mirroring and accentuating Cléo’s emotional journey. “Cléo from 5 to 7” is universally celebrated for its innovative storytelling and its sensitive, yet unflinching examination of a woman grappling with the fragility of life and the uncertainty of her future.
5. Ivan’s Childhood – Andrei Tarkovsky
In “Ivan’s Childhood,” directed by Andrei Tarkovsky, the story is set during the time of World War II and closely follows a young boy, Ivan. After the tragic and heart-wrenching loss of his family to the war, Ivan makes the bold and unusual decision to join the Soviet Army as a scout, bravely embarking on dangerous missions that are far beyond what a child should endure. Despite his youth, Ivan is fiercely driven by a desire for vengeance, demonstrating resilience and determination in the face of harrowing war realities. His interactions with army officers and his experiences on the battlefield reveal the brutal impact of war on a child’s psyche, highlighting the profound effects of conflict.
Tarkovsky’s film is a powerful portrayal of the loss of innocence and the effects of war on the human spirit. The stark differences between Ivan’s childhood and the grim realities of war are effectively captured through Tarkovsky’s masterful visual style. The film’s imagery, encompassing a haunting spectrum from dream sequences to the harsh landscapes of the war-torn Eastern Front, adds layers of depth to Ivan’s character and experiences. “Ivan’s Childhood” is a profound commentary on the futility and devastation of war, making it one of the best films of 1962.
4. An Autumn Afternoon – Yasujirō Ozu
In “An Autumn Afternoon,” directed by Yasujirō Ozu, the story focuses on Shuhei Hirayama, an aging widower, and his relationship with his daughter, Michiko. Hirayama, increasingly recognizing the sacrifices Michiko makes for him and his sons, begins to contemplate her marriage prospects, reflecting on her happiness and future. The film explores the dynamics of the Hirayama family, effectively highlighting Hirayama’s internal conflict about Michiko’s future and his own feelings of loneliness. Through their everyday interactions and conversations, the narrative gently unfolds the emotional layers of the characters, revealing the depth of their familial bonds and individual aspirations.
Ozu’s film is characterized by his signature style of static camera shots and a contemplative pace, which adds an introspective and profound quality to the narrative. The film portrays the subtle moments of family life, exploring themes of change, aging, and the passage of time with a keen eye for detail and emotion. The performances are understated yet powerful, effectively capturing the depth of familial bonds and the quiet realizations that come with life’s transitions. “An Autumn Afternoon” remains a moving and insightful reflection on family, love, and the inevitability of change, marking it as a timeless piece in Ozu’s celebrated filmography.
3. The Man Who Shot Liberty Valance – John Ford
“The Man Who Shot Liberty Valance,” directed by John Ford, is set in the rugged landscape of the American West and tells the story of Senator Ransom Stoddard’s return to the small, dusty town of Shinbone for a friend’s funeral. Through a series of revealing flashbacks, the film recounts Stoddard’s arrival in Shinbone as a young lawyer and his tense encounters with the notorious outlaw, Liberty Valance. As Stoddard seeks to bring law and order to the frontier town, he forms a complex relationship with Tom Doniphon, a stoic local rancher, and Hallie, a strong-willed woman they both deeply admire. The intense confrontation between the advancing forces of civilization and the untamed lawlessness of the Old West sets the stage for a tale of moral and personal conflict.
Ford’s film is a classic of the Western genre, blending thrilling action with a thoughtful examination of American myths and legends. The performances by James Stewart as Stoddard and John Wayne as Doniphon bring depth to their respective characters, portraying contrasting ideals of heroism, morality, and justice. The film boldly challenges traditional notions of the Wild West, presenting a more layered view of the era’s moral complexities and the realities of frontier life. “The Man Who Shot Liberty Valance” stands as one of the best films of 1962, rightly celebrated for its compelling storytelling, rich character development, and its insightful exploration of the themes of legend versus reality.
2. Harakiri – Masaki Kobayashi
In “Harakiri,” directed by Masaki Kobayashi, the story takes place in 17th century Japan, focusing on an aging samurai, Hanshiro Tsugumo. Seeking a dignified place to commit ritual suicide, Tsugumo arrives at the grand estate of a feudal lord, a setting that becomes central to the unfolding drama. However, as the narrative progressively progresses, Tsugumo reveals his true intentions, unveiling a complex web of events that led to his current predicament. The film explores themes of honor, hypocrisy, and the rigid code of the samurai through Tsugumo’s story and his tense interactions with the lord’s retainers.
Kobayashi’s film is a critical examination of the samurai code and the moral contradictions it inherently entails. The narrative structure, cleverly shifting between the present and past events of Tsugumo’s life, allows for a layered and powerful storytelling approach. The stunning cinematography and staging of the scenes dramatically enhances the emotional intensity and dramatic impact of the plot. “Harakiri” boldly offers a critique of feudal Japan’s social structures and the often tragic consequences of adhering to rigid codes of honor.
1. Lawrence of Arabia – David Lean
“Lawrence of Arabia,” directed by David Lean, is an epic portrayal of the life of British officer T.E. Lawrence during the times of World War I. The film opens with Lawrence’s assignment to Arabia, where he is tasked with assessing the Arab revolt against the formidable Ottoman Empire. His journey leads him to unite the Arab tribes, often with conflicting interests, and lead them in guerrilla warfare against the Ottomans, a feat that is as challenging as it is crucial. Lawrence’s complex character, marked by his tactical brilliance, and his struggles with his identity and allegiance form the core of the film’s narrative, providing a deep insight into his unique journey.
David Lean’s film is renowned for its sweeping desert vistas, grand scale, and Peter O’Toole’s iconic performance as T.E. Lawrence, which brings a magnetic presence to the screen. The film’s visual splendor is matched by its exploration of the psychological depths of Lawrence’s character and the broader political and cultural context of the Arab revolt. The epic nature of the story is brilliantly conveyed through magnificent cinematography and a compelling script, making “Lawrence of Arabia” one of the best films of 1962. The film not only captures the drama of war but also skillfully explores the personal conflicts and moral ambiguities faced by its protagonist.
Summary
To summarise, here are the ten best films of 1962:
- To Kill a Mockingbird – Robert Mulligan
- The Fabulous Baron Munchausen – Karel Zeman
- Sanjuro – Akira Kurosawa
- Il Sorpasso – Dino Risi
- Cléo from 5 to 7 – Agnès Varda
- Ivan’s Childhood – Andrei Tarkovsky
- An Autumn Afternoon – Yasujirō Ozu
- The Man Who Shot Liberty Valance – John Ford
- Harakiri – Masaki Kobayashi
- Lawrence of Arabia – David Lean
