1963 stands out as a year that produced an impressive array of films, each offering unique perspectives and captivating styles of storytelling. This era witnessed a diverse range of genres, reflecting the dynamic and evolving landscape of the film industry. From gripping crime thrillers to introspective dramas, the films of 1963 pushed the boundaries of narrative and visual storytelling, leaving a lasting mark on audiences and critics alike. Each film on this list is a masterpiece in its own right, not only entertaining but also challenging viewers, inviting them to engage with complex characters, thought-provoking themes, and innovative filmmaking techniques. Without further ado, let’s take a look at the ten best films of 1963.
10. The Organizer – Mario Monicelli
“The Organizer,” directed by Mario Monicelli, is a captivating and emotionally charged drama set in the industrial heart of the late 19th century in Turin, Italy. The narrative centers around a determined group of impoverished factory workers, who find themselves in a relentless struggle against exploitative labor practices. Their challenging lives undergo a significant transformation with the arrival of Professor Sinigaglia, a weary yet fiercely dedicated activist. His arrival marks a pivotal moment, as he successfully rallies and galvanizes the workers, instigating them to unite and strike for improved working conditions, setting off a tumultuous and emotionally charged series of events that test their collective strength, unity, and determination.
Under Monicelli’s direction, the film navigates themes of unity, resilience, and an unwavering quest for justice amid crushing oppression. The narrative’s emotional depth and compelling nature are significantly enhanced by the powerful performances, particularly from Marcello Mastroianni, who brings Professor Sinigaglia to life. The film’s depiction of the labor struggles of that era is not only authentic but also serves as a reminder of the universal struggle for workers’ rights and dignity. The direction masterfully captures the essence of the era, immersing the audience in a historically rich portrayal of the workers’ journey and their fight for a better future.
9. Charade – Stanley Donen
“Charade,” directed by Stanley Donen, emerges is a unique blend of romance, comedy, and mystery, captivating audiences with its dynamic and versatile narrative. Set against the picturesque and romantic backdrop of Paris, the story revolves around Regina Lampert, enchantingly portrayed by the iconic Audrey Hepburn. Regina finds herself ensnared in a perilous and complex web of deceit following the sudden demise of her husband. She crosses paths with the charming and suave Peter Joshua, brought to life by Cary Grant, who becomes an unexpected but crucial ally in her quest to unravel the perplexing and hidden truths of her late husband’s disappearance.
The film stands out due to its smartly crafted script brimming with sharp wit and engaging dialogue, ensuring its place as one of the best films of 1963. “Charade” showcases a masterful balance in its tonal shifts, effortlessly moving from moments of light-hearted charm to intense and suspenseful scenarios. The setting of Paris, with its inherent charm and elegance, adds an additional layer of aesthetic allure, enriching the film’s visual narrative and creating an atmosphere that is both inviting and intriguing. Additionally, the supporting cast, which includes the talents of James Coburn and George Kennedy, delivers compelling and noteworthy performances that add further depth to the story.
8. The Servant – Joseph Losey
In “The Servant,” directed by Joseph Losey, the narrative unfolds within the confines of a sophisticated London townhouse, setting the stage for a gripping psychological drama. Here, a young and somewhat naive aristocrat, Tony, finds himself in need of domestic assistance and decides to employ Hugo Barrett for the role of his servant. Initially, their relationship adheres to the traditional norms of employer and employee, with Barrett taking up the responsibilities of a dedicated and seemingly subservient butler. However, there is a subtle yet distinct shift in their interaction, leading to a complex dynamic that progressively blurs and distorts the conventional boundaries between master and servant.
Under Losey’s direction, the film is filled with a haunting and somewhat unsettling atmosphere, which brilliantly accentuates the deep psychological complexities within each character. The performances, particularly the portrayals by Dirk Bogarde as Barrett and James Fox as Tony, are nothing short of exceptional, capturing the subtle shifts and undercurrents of their evolving relationship with a remarkable depth and intensity. The film’s striking visual style is a standout element, making use of shadow and light to enhance the ominous and claustrophobic ambience that permeates the narrative.
7. The Fire Within – Louis Malle
“The Fire Within,” directed by Louis Malle, tells the tale of Alain Leroy, a man suffering with alcoholism who is about to start a new chapter in his life as he prepares to leave a rehabilitation center. Set in Paris, the film chronicles a pivotal 24-hour period in Alain’s life. During this time, he wanders the city’s streets, seeking to reconnect with old friends and former lovers in a profound and desperate search for meaning and purpose in his existence. These emotionally charged encounters create a layered portrait of a man who is deeply entangled in existential despair and uncertainty about his future. Alain’s journey throughout the film is marked by a deep sense of contemplation and introspection, leading him to a confrontation with the harsh realities of his life.
Under Louis Malle’s direction, “The Fire Within” captures the inner turmoil and emotional landscape of its main character, Alain, with a profound understanding of the human psyche. The film’s narrative is elevated by Maurice Ronet’s performance as Alain, which fills the character with a sense of melancholy, introspection, and desperation. The cinematography of the film masterfully encapsulates the mood and tone of the narrative, with the iconic streets of Paris serving as a canvas that mirrors Alain’s turbulent internal state. This film emerges as a powerful and introspective examination of the human condition, making it one of the best films of 1963
6. The Leopard – Luchino Visconti
“The Leopard,” directed by Luchino Visconti, is a lavish and expansive historical drama, set in the picturesque landscapes of Sicily during the period of the Italian unification. The narrative centers around the figure of Prince Don Fabrizio Salina, a symbol of the old aristocracy, who finds himself a witness to the decline of the aristocratic order and the emergence of a new social paradigm. Amidst an era of significant political upheavals and social shifts, the Prince is deeply embroiled in a personal struggle, coming to terms with the changes impacting his family. This struggle is further accentuated by his interactions with his nephew, Tancredi, who wholeheartedly embraces the revolutionary ideologies of the time.
Visconti’s film is nothing short of a visual masterpiece, brilliantly capturing the luxury and subsequent decay of a bygone era through its carefully crafted cinematography. Burt Lancaster’s portrayal of Prince Salina is nothing short of remarkable, as he masterfully embodies the quiet dignity and underlying melancholy of a world on the brink of fading away. The film’s depiction of the social transformations of the period is executed with remarkable detail, offering an immersive representation of the historical changes sweeping through society. “The Leopard” stands out as a masterful blend of personal drama and historical narrative, creating a unique portrayal of a society caught in the winds of transition.
5. The Great Escape – John Sturges
“The Great Escape,” directed by John Sturges, is an action-packed wartime adventure, deeply rooted in the real-life heroics of World War II. The film chronicles the bold and ingenious escape plan of Allied prisoners of war held captive in a German POW camp. Under the leadership of Squadron Leader Roger Bartlett, the group of prisoners create an elaborate and daring plan involving the digging of multiple tunnels for a large-scale escape. The ensemble cast, featuring the likes of Steve McQueen, James Garner, and Richard Attenborough, brings to life a compelling array of characters, each contributing their distinct skills and ingenuity to the collective effort.
Sturges’ film is a masterpiece that skillfully balances intense tension, exhilarating action, and human drama. The narrative is carefully crafted, progressively building suspense and anticipation as the details of the prisoners’ escape plan are revealed. Steve McQueen’s iconic motorcycle chase scene, a defining moment of the film, showcases not only his undeniable charisma but also the film’s capacity for high-octane and adrenaline-fueled sequences. “The Great Escape” is a powerful homage to the extraordinary ingenuity, resilience, and bravery of the prisoners, solidifying its place as one of the best films of 1963.
4. Winter Light – Ingmar Bergman
“Winter Light,” directed by Ingmar Bergman, is a deeply thought-provoking exploration of the themes of faith and doubt, set in the serene and snow-covered landscape of a small Swedish village. The narrative focuses on Tomas Ericsson, a Lutheran pastor, who finds himself in the midst of a personal crisis of faith. On a particularly cold and bleak winter’s day, following a service that sees minimal attendance, Tomas is confronted with the despair of one of his parishioners, who comes seeking guidance and solace amidst his own fears of nuclear annihilation. This encounter becomes a catalyst for Tomas, compelling him to face the depths of his spiritual emptiness and questioning his ability to offer comfort in a world he perceives as increasingly devoid of meaning and hope.
Bergman’s film is an introspective journey into the human psyche, known for its minimalist style and an unwavering focus on the complexities of its characters. Gunnar Björnstrand delivers a powerfully subdued and emotional performance as Tomas, capturing the pastor’s intense internal conflict and struggle. The film’s setting, coupled with its masterful use of light and shadow, enhances the somber and contemplative mood of the narrative. “Winter Light” is a deeply engaging and thought-provoking examination of human vulnerability, the quest for meaning, and the existential challenges faced in a world that can often seem cold and indifferent.
3. The Big City – Satyajit Ray
“The Big City,” directed by Satyajit Ray, presents the story of Arati Mazumdar, a woman from a modest middle-class family in the city of Calcutta. In a move to alleviate the financial burdens weighing on her family, Arati ventures into the workforce as a saleswoman, a decision that stands in stark contrast to the expectations set by her traditional husband. This step into the professional world marks the beginning of a significant transformation in Arati’s life, influencing not only her self-perception but also dramatically altering the dynamics within her family. As she navigates through the various challenges and experiences associated with her new role, Arati encounters and engages with the diverse and ever-changing aspects of urban life.
Satyajit Ray’s portrayal of the complexities and vibrancy of urban life, coupled with the evolving status of women, is executed with both sensitivity and deep insight. Madhabi Mukherjee’s stellar performance as Arati is a highlight of the film, adding layers of depth, resilience, and a nuanced understanding to her character. Ray’s direction skillfully captures the intricacies of family life set against the backdrop of societal changes in post-independence India. “The Big City” stands out as a cinematic piece that embodies a deeply humanistic approach, eloquently portraying the complexities of modern urban life, ensuring its place as one of the best films of 1963.
2. 8½ – Federico Fellini
“8½,” directed by Federico Fellini, is a mesmerizing cinematic journey that explores the psyche of a film director, Guido Anselmi, masterfully portrayed by Marcello Mastroianni. Guido, entangled in a web of creative blockage and personal upheaval, finds himself struggling to maintain a balance between the pressures of his professional responsibilities and private life. As he prepares to direct his latest cinematic venture, Guido becomes increasingly engulfed in a complex array of past memories, surreal dreams, and fantastical imaginings. This introspective narrative blurs the boundaries between reality and the fluid realms of imagination, mirroring the profound inner conflict and relentless quest for artistic inspiration that defines Guido’s character.
Fellini’s masterpiece is an insightful exploration of creativity and the depths of the human psyche. The film’s visual storytelling is known for its groundbreaking use of surreal imagery and ethereal dreamlike sequences. Marcello Mastroianni’s performance is nothing short of captivating, as he expertly embodies the director’s anxieties, aspirations, and internal conflicts with remarkable subtlety and profound depth. “8½” transcends the conventional boundaries of filmmaking standing as a profound and innovative artistic expression that captures the complexities, challenges, and exhilarating joys inherent in the creative process.
1. High and Low – Akira Kurosawa
“High and Low,” directed by Akira Kurosawa, is a gripping crime thriller, set in the bustling urban backdrop of Yokohama, Japan. The film’s narrative centers on the life of Kingo Gondo, a wealthy and influential executive at a prominent shoe company. Gondo’s world is thrown into chaos when his chauffeur’s son is mistakenly kidnapped in place of his own child, leading to the kidnapper’s demand for a substantial ransom. Faced with this excruciating dilemma, Gondo must make a critical decision to either pay the ransom to ensure the child’s safety or allocate his financial resources towards a pivotal corporate buyout that could define his career. This moral conundrum ignites a tense, multi-layered narrative that explores class dynamics and moral ethics.
In “High and Low,” Kurosawa’s directorial prowess is evident, showcased through the film’s precise and nuanced style, along with a compelling narrative structure that holds the viewer in a constant state of suspense. Toshiro Mifune’s powerful portrayal of Gondo stands out, as he captures the internal conflicts and ethical turmoil that plagues his character. The stark contrast depicted in the film between the affluent sectors of society and the desperate working class is both visually striking and rich in thematic depth. “High and Low” is a profound and insightful commentary on the glaring social disparities and the complex nature of the human condition, making it one of the best films of 1963.
Summary
To summarise, here are the ten best films of 1963:
- The Organizer – Mario Monicelli
- Charade – Stanley Donen
- The Servant – Joseph Losey
- The Fire Within – Louis Malle
- The Leopard – Luchino Visconti
- The Great Escape – John Sturges
- Winter Light – Ingmar Bergman
- The Big City – Satyajit Ray
- 8½ – Federico Fellini
- High and Low – Akira Kurosawa
