The year of 1969 produced an array of films that not only revolutionized the art form but also reflected the dynamic and often tumultuous spirit of the times. This was a year where filmmakers from all around the world pushed boundaries, both in terms of narrative and visual storytelling, offering audiences an immersive and diverse range of cinematic experiences. From the raw and honest depiction of urban life in America to the hauntingly beautiful portrayal of lives under oppressive regimes, the films of this year continue to remain relevant to this day. Each film on this list stands as a testament to the creative vision of its director, the skill of its cast, and the innovative techniques employed to bring these stories to life. Without further ado, let’s take a look at the ten best films of 1969.
10. Goyokin – Hideo Gosha
Set in the snow-covered landscapes of feudal Japan, “Goyokin” follows the story of Magobei Wakizaka, a masterful samurai whose conscience is burdened by a dark secret from his past. He finds himself compelled to confront his former clan when he learns of their inhumane and ruthless plan to steal gold reserved for the shogunate. The film tells an engrossing tale of honor and betrayal, as Magobei grapples with his conflicted sense of duty and his intense desire for redemption. The breathtaking and visually arresting cinematography captures the stark and unforgiving harshness of the winter terrain, acting as a visual metaphor for the turmoil within the protagonist.
Director Hideo Gosha creates a narrative that explores themes of loyalty and moral conflict, challenging the viewer’s perceptions of right and wrong. The characters are carefully and thoughtfully drawn with depth, each significantly contributing to the unfolding drama. The action sequences in “Goyokin” are notable for their stunning realism and electrifying intensity, setting a new standard for samurai cinema. Gosha’s expert use of pacing and tension elevates these scenes, making them not just displays of martial prowess, but pivotal moments of character development and storytelling.
9. Pirosmani – Giorgi Shengelaia
“Pirosmani” is a biographical film about the life of Georgian primitivist painter Niko Pirosmanashvili, known as Pirosmani. This cinematic portrayal captures his transformation from a humble train station painter to an artist whose works eventually gain national reverence. The film navigates through his arduous and often unrecognized struggles for recognition and the challenges he faces in a society that frequently fails to appreciate or understand his art. This depiction of 19th century Georgia effortlessly transports the viewer into Pirosmani’s world, shining a light on his innovative and distinctive artistic vision.
Director Giorgi Shengelaia presents a sensitive and thoughtful portrayal of an artist’s life, masterfully balancing a narrative that is both introspective and expressive, characterized by its quiet, reflective pace and careful attention to the details of Pirosmani’s environment. Shengelaia’s deliberate choice of color and composition in the film mirrors Pirosmani’s own artistic style, creating a visually striking experience that resonates with the aesthetic and emotional tones of Pirosmani’s paintings. “Pirosmani” is not just a biography but also a profound tribute to the enduring spirit of an artist who remained true to his vision despite the challenges he faced, ensuring its place as one of the best films of 1969.
8. Midnight Cowboy – John Schlesinger
“Midnight Cowboy” tells the story of Joe Buck, an optimistic young Texan who moves to New York City with dreams of becoming a successful hustler. However, upon his arrival, he is quickly engulfed by the city’s harsh realities. He soon meets Ratso Rizzo, a sly, streetwise con artist who becomes his unlikely partner in navigating the complex and often ruthless urban underworld. As they navigate the unforgiving streets of the city, their bond deepens, revealing the intricacies and emotional depth of friendship and survival. The film captures the gritty reality of urban life, while contrasting Joe’s naivety with Ratso’s cynical outlook set against the backdrop of a city that never sleeps.
Directed by John Schlesinger, “Midnight Cowboy” is notable for its raw and honest portrayal of its characters. Schlesinger’s direction brings a unique sensitivity to the story, portraying the human condition amidst urban chaos. The film’s exploration of unconventional relationships and dreams shattered by harsh realities is both compelling and emotionally stirring. The performances of Jon Voight and Dustin Hoffman bring exceptional depth to their characters, making their story resonate powerfully with audiences. While the soundtrack is an integral element, the film’s strength lies in its powerful narrative and the compelling dynamic between the lead characters.
7. My Night at Maud’s – Éric Rohmer
“My Night at Maud’s” focuses on Jean-Louis, a reflective and devout Catholic engineer, who becomes infatuated with a young woman he sees at church. His life takes an unexpected turn when fate leads him to spend a night conversing with Maud, a free-spirited divorcee. This encounter prompts an introspective journey, and their philosophical discussions about love, morality, and faith challenge Jean-Louis’s convictions. The film is a study in the complexities of human relationships and the choices we make, showcasing the complex web of emotions and beliefs that define our lives.
Éric Rohmer’s direction in “My Night at Maud’s” is characterized by its subtle and intellectual approach, elegantly unfolding the narrative. The film a part of Rohmer’s “Six Moral Tales” series, known for its focus on character-driven narratives and moral dilemmas. The dialogue-driven plot allows for a profound deep exploration of the characters’ thoughts and motivations, offering a window into their souls and solidifying its place as one of the best films of 1969. Rohmer’s use of black and white cinematography adds a timeless quality to the film, emphasizing its themes and the internal struggles of its protagonist, creating a visual language that speaks volumes beyond the spoken word.
6. The Color of Pomegranates – Sergei Parajanov
“The Color of Pomegranates” is a stunning and imaginative visual biography of the Armenian ashugh (troubadour) Sayat-Nova. Rather than following a linear plot, this avant-garde film unfolds through a series of poetic and symbolic scenes, forgoing a conventional narrative structure. With great attention to visual detail, each scene portrays different stages of Sayat-Nova’s life, from his childhood to his time as a monk, emphasizing his deep connection to the culture and heritage of Armenia. The imagery is full of cultural and religious symbolism, reflecting the essence of Sayat-Nova’s life and art.
Director Sergei Parajanov’s masterpiece is renowned for its unique cinematic style, boldly challenging traditional storytelling in favor of a more visual and metaphorical approach. This avant-garde approach to filmmaking results in the film’s composition, color palette, and thoughtful use of music and silence creating a mesmerizing experience that transcends language and conventional narrative techniques. “The Color of Pomegranates” is not just a film but a captivating visual poem that celebrates Armenian art and culture. Its innovative style has significantly influenced filmmakers worldwide and remains a landmark in world cinema.
5. They Shoot Horses, Don’t They? – Sydney Pollack
“They Shoot Horses, Don’t They?” focuses on a group of desperate individuals participating in a grueling dance marathon during the Great Depression. Set against a backdrop of economic turmoil, the film portrays the experiences of Gloria Beatty and Robert Syverton, who endure physical and emotional exhaustion in the hope of winning a cash prize. As the grueling event progresses, the veneer of glamour fades, revealing the harsh realities faced by the contestants. The film offers a striking and thought-provoking commentary on the human condition and the lengths people go to in times of desperation.
Sydney Pollack’s direction in “They Shoot Horses, Don’t They?” stands out due to its intense portrayal of despair and endurance. His directorial style ensures the film is a powerful critique of the exploitative nature of such events and the broader societal indifference to suffering. The performances of the cast are undeniably powerful, effectively bringing to life the complex emotions and struggles of the characters. The film’s visual storytelling and the intense atmosphere of the dance hall, mirroring the societal challenges of the era, are what make it truly stand out, ensuring its place as one of the best films of 1969.
4. The Cremator – Juraj Herz
“The Cremator” is set in the atmospheric and tumultuous time of 1930s Central Europe and follows the story of Karl Kopfrkingl, a crematorium director who is deeply obsessed with the idea of death and the liberation of the soul through cremation. As the political climate around him grows increasingly volatile, his beliefs become increasingly twisted as he is drawn into the ideologies of the Nazi regime. The film portrays Kopfrkingl’s descent into madness and his rationalization of his actions as a form of mercy, depicting a harrowing journey into the abyss of moral decay. His character is a chilling representation of how ordinary people can be swayed by extremist ideologies, highlighting the perils of succumbing to such dangerous thoughts.
Directed by Juraj Herz, “The Cremator” is a dark and surreal exploration of the human psyche. Herz’s direction masterfully creates an eerie atmosphere, which is significantly enhanced by its stark black-and-white cinematography and unsettling score. Employing a unique blend of horror and dark comedy, Herz examines themes of morality, fanaticism, and the corrupting influence of power, presenting a narrative that is both thought-provoking and deeply unsettling. The film’s disturbing portrayal of its protagonist’s transformation is a haunting reminder of the dangers of unchecked authority and ideological manipulation, serving as a warning against the dangers of losing one’s moral compass.
3. Z – Costa-Gavras
“Z” is a political thriller that revolves around the assassination of a democratic Greek politician and the subsequent investigation. Unfolding in a climate of political tension, the film is a dynamic and gripping account of the attempts to uncover the truth behind the assassination, a truth that is obscured by government officials. The narrative follows the unyielding and resolute investigator who battles against the bureaucracy and corruption to reveal the conspiracy, showcasing a relentless pursuit of truth amidst a web of deceit. “Z” is a compelling depiction of political intrigue and the struggle for justice in the face of oppressive governance, highlighting the enduring fight for democracy and transparency.
Directed by Costa-Gavras, “Z” stands out for its fast-paced and engaging storytelling. This cinematic journey blends elements of drama and thriller, keeping the audience captivated from start to finish with its tense narrative and sharp twists. Its portrayal of political corruption and the fight against it is both powerful and relevant, offering a mirror to contemporary political climates around the world. The performances are also strong, conveying the intensity and urgency of the situation, with each character adding a layer of depth and complexity to the unfolding drama. “Z” is a commentary on the nature of power, integrity, and resilience in the face of adversity, ensuring its place as one of the best films of 1969.
2. Kes – Ken Loach
“Kes”, directed by Ken Loach, follows the story of a resilient young boy named Billy Casper in a small town in Northern England. Living in an environment where he often feels invisible, Billy, who struggles with a bleak home life and a lack of support at school, finds solace in training a kestrel that he names Kes. This relationship with Kes becomes an escape from his otherwise monotonous and challenging daily life. The bird becomes a symbol of hope and freedom for Billy, contrasting sharply with the oppressive environment he faces daily. Through Kes, Billy discovers a sense of purpose and joy that had been previously absent from his life.
Ken Loach’s direction in “Kes” stands out due to its realistic and sensitive portrayal of the British working-class life. His filmmaking is grounded in a deep empathy for his characters, making the film notable for its authentic dialogue and naturalistic performances. In portraying the rugged and unyielding landscape of Northern England, Loach uses the bleak landscape to mirror Billy’s internal struggle, creating a powerful visual metaphor for his emotional journey. “Kes” is not only a story about a boy and his bird, but a compelling exploration of youth, resilience, and the search for beauty in a challenging world, offering an emotional look at the struggles and triumphs of growing up.
1. Army of Shadows – Jean-Pierre Melville
“Army of Shadows” is a gripping tale about the French Resistance during World War II, portrayed with suspense and emotional depth. The film follows a group of resistance fighters as they navigate the dangers of their clandestine existence, engaging in a silent war against the Nazi occupation. Central to the story is the character of Philippe Gerbier, a resolute and thoughtful leader who faces moral dilemmas and the constant threat of betrayal and capture. The film depicts the harsh realities of the French Resistance, including the tough decisions that must be made in the fight for freedom, showcasing the unyielding spirit of those who fight against oppression.
Directed by Jean-Pierre Melville, a former member of the Resistance himself, “Army of Shadows” is created with a deep understanding of its subject matter. His personal experience adds authenticity and to the narrative, with the film’s pacing and atmosphere being reflective of the constant tension and uncertainty faced by resistance fighters. Melville’s use of visual storytelling, through color and shadow in the film’s cinematography, adds further depth to the story, creating a visually immersive experience that effectively conveys the secretive and perilous life of the Resistance. “Army of Shadows” is a powerful tribute to the bravery and complexity of the Resistance, ensuring its place as one of the best films of 1969.
Summary
To summarise, here are the ten best films of 1969:
- Goyokin – Hideo Gosha
- Pirosmani – Giorgi Shengelaia
- Midnight Cowboy – John Schlesinger
- My Night at Maud’s – Éric Rohmer
- The Color of Pomegranates – Sergei Parajanov
- They Shoot Horses, Don’t They? – Sydney Pollack
- The Cremator- Juraj Herz
- Z – Costa-Gavras
- Kes – Ken Loach
- Army of Shadows – Jean-Pierre Melville
