Japanese cinema in the 2000s stood out due to its creativity and innovation, presenting a diverse array of experiences that resonated with audiences from all around the world. From introspective family dramas to fantastical animated adventures, these films not only redefine genres but also reflect the complexities of contemporary Japanese culture. With a keen sense of aesthetics and an appreciation for the subtleties of human emotion, directors, both seasoned and emerging, challenged traditional storytelling techniques and ventured into uncharted narrative territories. Without further ado, let’s take a look at the ten best Japanese films of the 2000s.
10. All About Lily Chou-Chou – Shunji Iwai (2001)
Yuichi, a quiet and introverted teenager, finds solace and meaning in his life primarily through his admiration for Lily Chou-Chou, a mesmerizing pop idol whom he deeply adores. Outside of school and daily routines, he dedicates countless hours immersing himself in an online chatroom, fervently discussing and defending the singer with fellow fans. Yet, as he attempts to navigate the maze of adolescence, filled with its unique trials and tribulations, Yuichi discovers that his online sanctuary and the real world increasingly intersect. Set in rural Japan, the film explores the turbulent waters of personal conflicts, friendships gone awry, and the undeniable presence of youth violence.
Director Shunji Iwai masterfully presents a tale that reflects the complexities and contrasts inherent in contemporary teenage life in “All About Lily Chou-Chou”. The ethereal presence of Lily Chou-Chou’s music, with its dreamlike quality, stands in stark juxtaposition to the gritty and raw experiences that the young protagonists endure. Through its engaging storyline, the film shines a light on the multifaceted challenges teens face, especially in an era dominated by technology and online interactions. With Iwai’s distinct and captivating visual style, paired with the film’s innovative storytelling approach, viewers are offered a deeply resonating and unforgettable cinematic journey.
9. Tokyo Godfathers – Satoshi Kon (2003)
On a cold Christmas Eve in the heart of Tokyo, three unlikely companions from varied walks of life – a weathered alcoholic, a vivacious transgender woman, and a disillusioned runaway girl – stumble upon a seemingly abandoned baby amidst the trash in a city dump. They affectionately name the infant Kiyoko, translating to “pure child,” and feel a collective sense of duty to reunite her with her birth parents. This mission sets them on an unexpected odyssey through Tokyo’s bustling streets and hidden alleyways, where they cross paths with an eclectic mix of city dwellers and face numerous hurdles that test their resolve.
In “Tokyo Godfathers”, Satoshi Kon artfully portrays a tale that dives deep into the complexities of relationships, the concept of found family, and the power of redemption. Set against the colorful and ever-changing backdrop of Tokyo, the narrative beautifully balances the city’s lively ambiance with the raw and genuine journey of the central characters. Through Kon’s meticulously crafted animation, every emotion, from subtle gestures to overwhelming feelings, is vividly etched, drawing the audience into the characters’ world. The storytelling, enhanced by the animation, solidifies this piece as a prime example of Kon’s unmatched talent in creating films that resonate on a profoundly human level, making it one of the best Japanese films of the 2000s.
8. Ritual – Hideaki Anno (2000)
“Ritual” tells the story of a disillusioned animator, weary from the stresses of his professional life. Seeking solace, he makes a return to the familiar surroundings of his childhood home, only to find a mysteriously enigmatic woman residing there. This woman, seemingly detached from the regular flow of time, passionately holds onto the notion that each day heralds the arrival of her birthday. Drawn together by their shared sense of isolation and yearning, the pair gradually gravitate towards each other. Through their ensuing interactions, they venture deep into a world of vivid memories, haunting fantasies, and lingering insecurities.
In “Ritual”, Hideaki Anno masterfully blurs the boundaries separating real experiences from figments of imagination. The film’s immersive environments, paired with introspective conversations between the protagonists, draw viewers into a hypnotic voyage that delves into the complexities of human bonds and internal struggles. Utilizing a series of striking visual cues and contemplative moments, Anno crafts a unique narrative that encapsulates the essence of human vulnerability and introspection. This cinematic piece marks a departure from Anno’s previous endeavors, shedding light on his ability to venture beyond established genres and underline his flexibility in filmmaking.
7. Millennium Actress – Satoshi Kon (2001)
Chiyoko Fujiwara, a once-popular actress, recounts her life and career to a documentary filmmaker and his cameraman. As she shares her story, the lines between her film roles, personal memories, and the present blur together. Chiyoko’s emotions and experiences begin to come alive, making it challenging to distinguish between reel and reality, with the film tracing her pursuit of a mysterious man with a key, a figure who has deeply affected her life. Through her narrative, viewers are taken on a cinematic journey that spans various eras of Japanese history, offering both a personal exploration and a broader reflection on Japanese culture.
“Millennium Actress” is another gem from the talented Satoshi Kon. The seamless transitions between Chiyoko’s roles and real-life events are a testament to Kon’s innovative storytelling. The film celebrates the magic of cinema and the enduring impact of personal encounters, and as Chiyoko’s tale unfolds, audiences witness the transformative power of love and passion as it traverses across time. With its fluid animation and engaging narrative, “Millennium Actress” is a heartfelt tribute to the world of filmmaking and the memories that shape our lives, ensuring its place as one of the best Japanese films of the 2000s.
6. Eureka – Shinji Aoyama (2000)
Following a traumatic bus hijacking incident, bus driver Makoto and two of his passengers, students Kozue and Naoki, are the only survivors. The haunting memories of the ordeal weigh heavily on them, each struggling to come to terms with the aftermath. Traumatized by the event, Makoto decides to drive a bus again, hoping to find meaning and redemption in the very act that once brought him pain. He invites the siblings to live with him, and the trio embarks on a road trip across Kyushu, hoping to heal their collective wounds. Their journey becomes a contemplative exploration of grief, loss, and the search for closure, with each destination bringing new perspectives and challenges.
In “Eureka,” Shinji Aoyama presents a meditative exploration of trauma and recovery, shedding light on the complexities of the healing process. The vast landscapes and prolonged silences allow viewers to immerse themselves in the characters’ emotional states, feeling their anguish and hopes for the future. Aoyama’s choice of a monochromatic color palette further accentuates the film’s melancholic atmosphere, creating a visual representation of the characters’ internal struggles. This slow-burning narrative is a profound examination of the human spirit’s resilience in the face of tragedy, highlighting the importance of companionship and understanding in overcoming adversity.
5. Nobody Knows – Hirokazu Kore-eda (2004)
In “Nobody Knows,” four young siblings find themselves alone and fending for their lives in a cramped Tokyo apartment. The eldest brother, Akira, assumes the role of caretaker for his younger siblings after their mother leaves them with only a small amount of money and a hastily scribbled note urging Akira to ensure the safety of the others. As the days blend into one another, turning into long weeks and seemingly endless months, Akira desperately tries to keep their situation hidden from prying eyes. He juggles the many tasks of managing their household, ensuring their safety, and scraping together resources to provide for his siblings without the guidance or help of an adult.
Hirokazu Kore-eda masterfully crafts a tale that offers a stark and genuine portrayal of the struggles faced by abandoned children in the heart of a bustling city. With every scene, his thoughtful direction provides a window into the raw emotions, fears, and vulnerabilities of these young souls as they wade through the overwhelming challenges and uncertainties of life without parental guidance. Kore-eda’s approach not only showcases the determination and resourcefulness of children left to their own devices but also emphasizes their uncanny ability to adapt and survive against all odds. “Nobody Knows” emerges as a compelling reflection on those pushed to the margins of urban life, making this one of the best Japanese films of the 2000s.
4. Howl’s Moving Castle – Hayao Miyazaki (2004)
Based on Diana Wynne Jones’ novel, “Howl’s Moving Castle” is a mesmerizing tale that transports viewers to a realm where magic and reality coexist. It shows the journey of Sophie, a young woman cursed by a spiteful witch to endure life as an elderly lady. In her quest to reclaim her youth and true form, Sophie stumbles upon a majestic, magical walking castle owned by the enigmatic and somewhat mercurial wizard, Howl. Inside this wondrous abode, she encounters various magical creatures and artifacts. As Sophie becomes more intertwined with Howl and his intriguing world, she not only finds herself at the heart of a looming war but also confronts personal adversities, realizing the power and resilience she possesses within.
Hayao Miyazaki, with his distinct and imaginative animation style, creates a universe that is a feast for the eyes, where every corner holds a surprise and the boundaries of creativity are continually expanded. His adaptation of Jones’ novel blends together threads of romance, daring escapades, and enchanting sorcery, ensuring a mesmerizing experience that resonates with both children and adults alike. The vibrancy of the settings is matched only by the depth and evolution of its characters. These individuals, carrying their unique histories and aspirations, push the story to its peaks and valleys, resulting in a narrative that is as much an exciting adventure as it is an exploration of personal growth and transformation.
3. Still Walking – Hirokazu Kore-eda (2008)
“Still Walking” artfully centers on a family coming together for a somber occasion, a commemorative ritual that marks the tragic death of the eldest son, Junpei, who heroically drowned in an attempt to save another individual. As the Yokoyama family convenes and spends a day in close quarters, subtle gestures and conversations paint a vivid picture of each member’s relationship to the others. Throughout this deeply emotional day, they wade through intricate interpersonal dynamics, uncovering long-simmering resentments, raw unspoken emotions, and the distinct ways each family member processes their shared sorrow.
In this touching narrative, Hirokazu Kore-eda, much like the esteemed Yasujirō Ozu, explores the complexities of familial bonds, shedding light on the fragility and strength inherent in these relationships. Kore-eda’s impressive attention to detail ensures that the film resonates with authenticity, drawing attention to the unspoken words, fleeting glances, and emotions that bubble just beneath the surface. Each scene, no matter how seemingly mundane, adds depth and layers to the portrayal of a family grappling with the shadow of loss. Through the deliberate and unhurried pacing of “Still Walking,” viewers are offered an intimate glimpse into the world of the Yokoyama family. Above all, Kore-eda’s creation stands as a heartfelt ode to the human condition, ensuring its place as one of the best Japanese films of the 2000s.
2. Love Exposure – Sion Sono (2008)
In “Love Exposure,” Yu Honda, a deeply devout Catholic, finds himself on an unexpected journey when he believes he needs to sin more profoundly. This misguided inspiration comes after a priest suggests that his regular confessions lack gravity. Consequently, this peculiar spiritual endeavor leads Yu into the shady underworld of upskirt photography, where he gains a reputation as one of the best. In this world of moral ambiguity, his path takes an unforeseen twist when he encounters Yoko. Amidst the chaos of their evolving relationship, they navigate complicated themes of religious extremism, family ties, and confronting the shadows of their individual histories.
With “Love Exposure,” Sion Sono masterfully creates a story that’s both unpredictable and emotionally charged. He explores complex issues of love, faith, and the search for identity, crafting a narrative that’s as thought-provoking as it is entertaining. By blending humor with deeper emotional beats, Sono ensures that the audience remains connected to the characters and their unique dilemmas. The film’s distinct plot and vibrant cast of characters ensure its place as a standout in contemporary cinema. The journey, filled with unexpected developments and eccentric personalities, maintains a captivating pace that commands attention from start to finish, despite it’s four hour run time.
1. Spirited Away – Hayao Miyazaki (2001)
While on their way to their new residence, young and apprehensive Ten-year-old Chihiro and her parents accidentally venture off their path and stumble upon a seemingly abandoned amusement park. Soon, a twist of fate and magic turns Chihiro’s world upside down as her parents are transformed into pigs by a powerful curse. Suddenly plunged into a surreal realm, Chihiro finds herself in a mystical world populated by gods and menacing witches. With the guidance and companionship of Haku, a mysterious boy with secrets of his own, Chihiro embarks on a quest to reverse the spell on her parents and make her way back to the familiar human world.
Hayao Miyazaki’s “Spirited Away” emerges as an enchanting masterpiece that seamlessly and artistically merges elements of traditional Japanese folklore with the touching nuances of a coming-of-age tale. Demonstrating an impressive attention to detail, every scene in the film pulsates with vibrant colors, ethereal beings, and imaginative landscapes, making it a true visual delight. Miyazaki’s unparalleled skill in creating detailed, mesmerizing worlds comes to the forefront, capturing the hearts and minds of audiences across generations and cultures. Fusing universally relatable themes with awe-inspiring animation and character depth, “Spirited Away” stands tall, solidifying its place as one of the best Japanese films of the 2000s.
Summary
To summarise, here are the ten best Japanese films of the 2000s:
- All About Lily Chou-Chou – Shunji Iwai (2001)
- Tokyo Godfathers – Satoshi Kon (2003)
- Ritual – Hideaki Anno (2000)
- Millennium Actress – Satoshi Kon (2001)
- Eureka – Shinji Aoyama (2000)
- Nobody Knows – Hirokazu Kore-eda (2004)
- Howl’s Moving Castle – Hayao Miyazaki (2004)
- Still Walking – Hirokazu Kore-eda (2008)
- Love Exposure – Sion Sono (2008)
- Spirited Away – Hayao Miyazaki (2001)
