The 1960s were a revolutionary period in British cinema, a decade where filmmakers broke new ground with daring narratives, innovative techniques, and compelling character studies. This era saw the emergence of films that not only entertained but also challenged and provoked, reflecting the dynamic cultural shifts of the time. From the gritty realism of kitchen-sink dramas to the lavish spectacles of epic adventures, the decade offered a diverse array of cinematic experiences. These films, often characterized by their bold storytelling and unique visual styles, captured the essence of a changing Britain and left a lasting mark on the film industry. Without further ado, let’s take a look at the ten best British films of the 60s.
10. Goldfinger – Guy Hamilton (1964)
“Goldfinger,” directed by Guy Hamilton in 1964, is a cornerstone in the James Bond franchise and one of the most celebrated films of its kind. The plot follows the suave secret agent 007, played by Sean Connery, as he unravels the nefarious plans of the wealthy and cunning Auric Goldfinger. A mix of intrigue and danger, Bond’s mission takes him across the globe, from Miami to Switzerland and finally to Fort Knox, where Goldfinger intends to corrupt the world’s gold supply. The film’s blend of high-stakes action, innovative technology, and charming espionage set the standard for future spy thrillers.
“Goldfinger” is known for its memorable characters, including the iconic villain Auric Goldfinger and his deadly henchman, Oddjob. Shirley Eaton’s portrayal as the ill-fated Jill Masterson, covered in gold paint, remains one of the film’s most striking images. The movie’s combination of fast-paced action, clever dialogue, and groundbreaking special effects contributed to its lasting appeal and influence on the spy genre. “Goldfinger” not only cemented James Bond’s status as a cultural icon but also established many of the elements that would become staples of the Bond series.
9. The Spy Who Came in from the Cold – Martin Ritt (1965)
Directed by Martin Ritt in 1965, “The Spy Who Came in from the Cold” is a standout film in the espionage genre, adapted from John le Carré’s acclaimed novel. The film centers around Alec Leamas, a seasoned British intelligence officer portrayed by Richard Burton, who embarks on a complex mission in East Germany under the guise of a defector. The narrative is steeped in the moral ambiguities and psychological toll of espionage, showcasing the stark contrast between Leamas’s world of deceit and the innocence of the communist librarian he becomes involved with. This espionage thriller is distinguished by its gritty realism and somber reflection on the human cost of intelligence work.
Richard Burton’s compelling portrayal of Leamas brings to life the character’s profound weariness and moral conflict, earning him widespread acclaim. “The Spy Who Came in from the Cold” stands out for its unique plot, atmospheric cinematography, and a sobering look at Cold War espionage devoid of the usual glamor associated with spy films. The film’s emphasis on the harsh realities of spy life and the ethical dilemmas faced by intelligence agents sets it apart in the genre, making it one of the best British films of the 60s. Its critical perspective on the intricacies of Cold War politics and espionage mechanics has solidified its status as a classic, celebrated for both its narrative complexity and cinematic craftsmanship.
8. Doctor Zhivago – David Lean (1965)
Directed by David Lean in 1965, “Doctor Zhivago” is a cinematic epic, a romantic drama woven into the tumultuous fabric of the Russian Revolution and World War I. The film, an adaptation of Boris Pasternak’s renowned novel, centers on Yuri Zhivago, a physician and poet portrayed by Omar Sharif. Zhivago is caught in a web of personal and political conflict, torn between his commitment to his wife, Tonya, and his profound love for the enigmatic Lara, played by Julie Christie. “Doctor Zhivago” is known for its grand narrative scope, breathtaking cinematography, and Maurice Jarre’s haunting score, which includes the iconic “Lara’s Theme.”
David Lean’s directorial prowess brings an extraordinary depth to the film, exploring enduring themes such as love, loss, and the resilience of the human spirit during a time of political upheaval. The performances of Sharif and Christie bring an intensity to their roles, capturing the emotional turmoil of lovers ensnared in an era of dramatic change. “Doctor Zhivago” is celebrated not only for its visual grandeur but also for its ability to convey the profound effects of historical events on individual lives. The film’s enduring appeal lies in its blend of epic historical narrative with deeply personal stories, making it a timeless masterpiece. Its legacy continues as a visually striking and emotionally resonant film, a testament to Lean’s mastery in filmmaking.
7. The Lion in Winter – Anthony Harvey (1968)
Directed by Anthony Harvey in 1968, “The Lion in Winter” is a compelling historical drama that unfolds during the Christmas of 1183. The film explores the volatile relationships within the royal family of King Henry II, his imprisoned wife Eleanor of Aquitaine, and their three sons, each aspiring to inherit the throne. As the family gathers for the holiday, their reunion becomes a battleground of wit, wills, and political intrigue. The dialogue is sharp and laced with dark humor, revealing the power plays and manipulations at the heart of this royal drama. Katharine Hepburn, Peter O’Toole, and a young Anthony Hopkins deliver standout performances, bringing to life the complex personalities of these historical figures.
“The Lion in Winter” is celebrated for its intelligent script that artfully combines historical drama with a contemporary edge. The film shines a light on the dynamics of a family entangled in a web of political ambition and personal vendettas. It garnered widespread acclaim for its skillful direction, compelling screenplay, and the powerhouse performances of its cast. The film’s impact is heightened by its ability to humanize these larger-than-life historical figures, presenting them with depth and emotional complexity, ensuring its place as one of the best British films of the 60s. “The Lion in Winter” remains an enduring classic, praised for its masterful blend of historical authenticity and modern sensibility in storytelling. It stands as a testament to the timelessness of great drama and the enduring allure of royal intrigue.
6. Peeping Tom – Michael Powell (1960)
Directed by Michael Powell in 1960, “Peeping Tom” is a psychological thriller that initially stirred controversy but has since been recognized as a cult classic. The film chronicles the life of Mark Lewis, a focus puller in a film studio by day, who morphs into a murderer filming his crimes at night. His obsession with capturing the terror of his victims on camera is a twisted legacy of his traumatic childhood, marred by psychological experiments conducted by his father. “Peeping Tom” delves into the unsettling realms of voyeurism, violence, and the darker aspects of human psychology.
Michael Powell’s pioneering use of subjective camera techniques effectively immerses the audience in the killer’s perspective, amplifying the film’s psychological impact. Carl Boehm delivers a haunting performance as Mark, skillfully portraying a character that is both disturbing and eliciting a measure of sympathy. Initially shunned by critics, leading to a downturn in Powell’s career, “Peeping Tom” has since been reevaluated as a standout work in the horror genre, lauded for its innovative storytelling and exploration of complex psychological themes. The film’s exploration of voyeurism and its impact on both the viewer and the viewed was groundbreaking, influencing the development of the psychological thriller genre.
5. The Hill – Sidney Lumet (1965)
Directed by Sidney Lumet in 1965, “The Hill” is a stark war drama that unfolds within the confines of a British Army prison in North Africa during World War II. The film depicts the plight of soldiers imprisoned for various offenses, focusing on their struggles under the severe and often cruel discipline imposed by the prison staff. Central to the narrative is the torturous punishment of repeatedly climbing a massive, man-made hill, designed to break the spirits and bodies of the inmates. Sean Connery stars as Joe Roberts, a former sergeant major, whose defiance against the sadistic guards symbolizes the prisoners’ resilience.
Lumet’s masterful direction, coupled with the evocative black-and-white cinematography, intensifies the film’s claustrophobic and oppressive atmosphere. “The Hill” is acclaimed for its unflinching portrayal of the brutality of military discipline and the psychological impact on the soldiers. The film stands out for its critical examination of abuse of power, the struggles for human dignity, and the endurance of the human spirit in the face of overwhelming adversity. Lumet’s direction and the exceptional performances, particularly Connery’s stark departure from his typical roles, make “The Hill” a powerful and enduring drama, earning its place as one of the best British films of the 60s.
4. The Servant – Joseph Losey (1963)
Directed by Joseph Losey in 1963, “The Servant” explores the twisted dynamics of class and power in 1960s London. The film centers on Tony, a well-to-do Londoner, who becomes increasingly entangled in a web of manipulation by his new manservant, Hugo Barrett. As Barrett’s influence grows, the relationships within the household, including those with Tony’s fiancée and a friend, undergo a sinister transformation. This psychological drama skillfully unravels the complexities of master-servant relationships, showcasing a compelling narrative that blurs the lines of control and subservience.
“The Servant” is distinguished by its haunting cinematography and Harold Pinter’s carefully crafted script, which tells a tale rich in subtext and psychological depth. Dirk Bogarde’s portrayal of Barrett is both chilling and captivating, embodying the insidious nature of power and manipulation. The film is a nuanced exploration of class structures and the dynamics within almost all human relationships, particularly in the context of authority and control. “The Servant” has earned its place as a classic in British cinema, renowned for its astute social commentary, its atmospheric storytelling, and its challenging portrayal of power’s corrupting influence.
3. The Innocents – Jack Clayton (1961)
Directed by Jack Clayton in 1961, “The Innocents” is a spine-chilling adaptation of Henry James’s novella “The Turn of the Screw.” The story centers on Miss Giddens, a governess appointed to care for two children in a large, eerie estate, but as she settles into her new role, Miss Giddens becomes increasingly convinced that the estate is haunted and that the children are under the influence of malevolent spirits. The film masterfully escalates suspense, creating a tale that blurs the boundaries between the real and the supernatural, leaving the audience in a state of enthralling uncertainty.
“The Innocents” is renowned for its atmospheric tension, psychological complexity, and foreboding sense of dread. Deborah Kerr’s portrayal of Miss Giddens is both nuanced and powerful, effectively conveying the character’s escalating paranoia and fear. The film’s visual storytelling, marked by its use of shadows and light, enhances the haunting and unsettling mood, making it one of the best British films of the 60s. “The Innocents” stands as a significant work in the horror genre, distinguished by its subtle yet deeply unsettling approach to storytelling. It remains a timeless piece, revered for its ability to evoke terror through suggestion and psychological depth rather than overt horror.
2. Kes – Ken Loach (1969)
Ken Loach’s “Kes,” released in 1969, is a deeply affecting drama adapted from Barry Hines’s novel “A Kestrel for a Knave.” Set in the working-class social environment of Northern England, the film tells the story of Billy Casper, a young boy who discovers a reprieve from his challenging life through the training of a kestrel hawk. As he nurtures and bonds with the bird, he finds a rare sense of freedom and escape from his grim surroundings. “Kes” poignantly captures the essence of youth, delving into themes of hope, aspiration, and the harsh realities of working-class existence.
Directed with a keen eye for realism, Loach’s portrayal of Billy’s world is both emotional and deeply authentic, with the film’s focus on character development and social realism distinguishing it as a landmark in British cinema. “Kes” is renowned for its realistic depiction of working-class Britain and its moving narrative of a boy’s connection with the natural world. This film has made an enduring impact due to its portrayal of perseverance amidst adversity and its compassionate portrayal of its young central character. It stands as a powerful reminder of the resilience of the human spirit in the face of challenging circumstances.
1. Lawrence of Arabia – David Lean (1962)
David Lean’s “Lawrence of Arabia,” released in 1962, is an epic historical drama that vividly brings to life the story of T.E. Lawrence, a British Army officer renowned for his pivotal role in the Arab Revolt during World War I. The film carefully chronicles Lawrence’s dynamic experiences in the Arabian Peninsula, artfully highlighting his unique personality and significant influence on the Arab National Council. Known for its spectacular cinematography, majestic scale, and Peter O’Toole’s iconic portrayal of Lawrence, the film presents a grand narrative filled with adventure, political intrigue, and explorations of identity.
“Lawrence of Arabia” is celebrated for its extraordinary desert landscapes, captured in stunning 70mm, and enhanced by Maurice Jarre’s unforgettable score. The film stands as a milestone in cinematic history, revered for its ambitious artistry and Lean’s painstaking attention to detail. It offers a profound exploration into the complexities of Lawrence’s character and the broader historical context with both depth and nuance. Adding to its legacy, the film’s powerful script and sweeping direction have influenced countless filmmakers and continue to inspire awe in new generations of audiences. “Lawrence of Arabia” remains a monumental achievement in the realm of film, lauded for its grandeur, masterful storytelling, and its lasting impact on the epic film genre. Its enduring popularity and critical acclaim are testaments to its status as one of the best British films of the 60s.
Summary
To summarise, here are the ten best British films of the 60s:
- Goldfinger – Guy Hamilton (1964)
- The Spy Who Came in from the Cold – Martin Ritt (1965)
- Doctor Zhivago – David Lean (1965)
- The Lion in Winter – Anthony Harvey (1968)
- Peeping Tom – Michael Powell (1960)
- The Hill – Sidney Lumet (1965)
- The Servant – Joseph Losey (1963)
- The Innocents – Jack Clayton (1961)
- Kes – Ken Loach (1969)
- Lawrence of Arabia – David Lean (1962)
