The 1910s, known for the silent film revolution, showcases the pioneering spirit of various filmmakers who mastered the art of visual storytelling. In this list, we take a look at films that not only shaped the foundations of the comedy genre but also captured the hearts of audiences with their timeless humor and innovative filmmaking techniques. From Charlie Chaplin’s endearing slapstick antics to Ernst Lubitsch’s witty narratives, each entry on this list offers a unique glimpse into the world of early 20th century cinema. Join us as we celebrate the genius of these early filmmakers and rediscover the charm and wit of this pioneering decade in film history. Without further ado, let’s take a look at the ten best comedy films of the 1910s.
10. The Cook – Roscoe Arbuckle (1918)
In “The Cook,” Roscoe Arbuckle stars as a chef who works in a lively restaurant, teeming with customers and culinary chaos. The plot revolves around his comedic misadventures in the kitchen, coupled with a series of slapstick interactions with customers and his assistant, Buster Keaton. Each scene is packed with humorous incidents, ranging from culinary disasters to amusing misunderstandings with the patrons. This film showcases Arbuckle’s physical comedy skills, as he juggles, dances, and cooks with a unique flair. The story picks up pace when a notorious thief enters the fold, leading to a series of comical mishaps and adding an element of intrigue and hilarity.
The film is celebrated for its innovative use of physical comedy and visual gags, setting a standard for future comedies. Its clever blend of exaggerated movements and expressive facial expressions creates a lively comedic atmosphere. Arbuckle and Keaton’s chemistry is a highlight, offering a seamless blend of timing and slapstick humor as they skillfully play off each other’s comedic strengths. “The Cook” stands out for its ability to entertain audiences with a simple setting and minimal dialogue. It remains a testament to the silent film era’s ability to convey humor through action and expression, enduring as a classic example of early cinema’s power to engage and amuse audiences with its timeless humor.
9. One A.M. – Charlie Chaplin (1916)
“One A.M.” features Charlie Chaplin in a solo performance, portraying a disheveled gentleman who experiences a series of comically exaggerated challenges while trying to navigate his home after returning late at night. The film is a classic example of Chaplin’s mastery of physical comedy, as he engages in a battle of wits with inanimate objects in his house, including a stubborn revolving door and an uncooperative bed. His character’s increasingly ludicrous attempts to settle in for the night create a symphony of comedic misfortunes. The absence of other characters highlights Chaplin’s ability to captivate the audience single-handedly, transforming the simple act of getting ready for bed into a hilarious narrative.
This film is often celebrated for its clever use of set pieces and Chaplin’s remarkable agility and comic timing. His physicality and precision in maneuvering through the chaotic environment of his home demonstrates a masterful blend of athleticism and comedy, while his ability to convey a wide range of emotions and reactions without a word adds further depth to the humor. “One A.M.” is a pioneering work in the comedy genre, demonstrating the power of visual humor, highlighting the silent film era’s capacity to tell stories through physical expression and visual gags. It serves as a masterclass in how a single performer can carry an entire film with skill and charisma, making it one of the best comedy films of the 1910s.
8. The Conquest of the Pole – Georges Méliès (1912)
“The Conquest of the Pole”, directed by Georges Méliès, takes audiences on a fantastical journey to the North Pole, filled with imaginative landscapes at every corner. The story focuses on a group of explorers who embark on a daring mission in an airship, encountering an array of bizarre and imaginative obstacles, from unpredictable weather phenomena to mythical creatures. Méliès’ signature blend of special effects and imaginative storytelling shines through, as the explorers face giants and other extraordinary challenges. This film captures the essence of early cinema’s ability to transport viewers to surreal and dream-like landscapes.
Méliès’ film is notable for its creative visual effects, which were groundbreaking at the time. His pioneering techniques in film-making, including the use of stop-motion animation and multiple exposures, adds a layer of magic to the visual narrative. The use of miniatures, innovative camera tricks, and hand-painted sets creates a unique visual experience, immersing the audience in a world that blends reality with fantasy. “The Conquest of the Pole” is celebrated for its playful approach to storytelling and its influence on the genre of adventure comedy. It opened new avenues in cinematic storytelling, inspiring future filmmakers to explore the boundaries of imagination and technology.
7. The Adventurer – Charlie Chaplin (1917)
In “The Adventurer,” Charlie Chaplin stars as a cunning and resourceful escaped convict who unexpectedly transforms into a comical hero. The film follows his escapades as he evades the police and stumbles into a high society event, where his unexpected presence causes a whirlwind of chaos and confusion among the elite guests. Chaplin’s character uses his wit and agility to navigate through various misadventures, employing his trademark blend of physical comedy and clever improvisation to charm the guests. The film blends slapstick comedy with social satire, showcasing Chaplin’s ability to transform simple scenarios into captivating comedic sequences.
“The Adventurer” is renowned for its expertly choreographed physical comedy sequences and Chaplin’s impeccable comedic timing. The film demonstrates Chaplin’s talent in elevating everyday situations into funny moments, with a finesse that turns the ordinary into a spectacle of laughter. Its blend of comedy and subtle social commentary makes it a standout in Chaplin’s filmography, highlighting his ability to combine humor with a critique of societal behaviors. “The Adventurer” remains a classic example of how silent films can effectively convey humor and narrative through visual storytelling, ensuring its place as one of the best comedy films of the 1910s.
6. Gertie the Dinosaur – Winsor McCay (1914)
In “Gertie the Dinosaur,” Winsor McCay pioneers the art of animation, bringing to life a charming and playful dinosaur named Gertie. This short film combines live-action with animation, creating an innovative and interactive experience as McCay interacts with Gertie, giving her commands and showcasing her endearing personality. Gertie performs a series of amusing tricks and displays human-like emotions, from playfulness to jealousy, in a way that deeply resonates with the audience. This groundbreaking film blends storytelling with the innovative technique of animation, pushing the boundaries of early cinema to create a delightful and engaging experience.
“Gertie the Dinosaur” is significant for its role in the development of animated films, utilizing hand-drawn animation and McCay’s creative vision to create a monumental achievement for the time. His careful attention to detail in the animation process gave life to a character with a distinct personality and charm. The film is not just a technical marvel but also a testament to the power of animation in storytelling, showing how animated characters can evoke emotional responses similar to live actors. Creating a character that is both believable and captivating, “Gertie the Dinosaur” remains a cornerstone in the history of animation, praised for its creativity and its influence on the future of animated films.
5. Shoulder Arms – Charlie Chaplin (1918)
“Shoulder Arms” stars Charlie Chaplin as a bumbling soldier during World War I, bringing a unique blend of cheeruflness and humanity to the harsh realities of the battlefield. The film depicts his experiences in the trenches and his daring escapades behind enemy lines, where his clumsiness surprisingly turns into an advantage in various unpredictable situations. Through a series of comic misadventures, including encounters with the enemy and hilarious attempts at espionage, Chaplin’s character maneuvers through a series of farcical scenarios, turning warfare into a series of slapstick moments, providing a unique and humorous perspective on military life.
“Shoulder Arms” is acclaimed for its ability to find humor in the unlikely setting of war. It contrasts the severity of war with Chaplin’s trademark comedic antics, providing an amusing take on a soldier’s life. Chaplin’s performance balances comedy with a subtle commentary on the absurdity and hardship of war, offering a satirical yet respectful nod to the challenges faced by soldiers. The film’s innovative use of sets and visual gags, combined with Chaplin’s comedic genius, makes it a standout in his filmography, showcasing his ability to transform even the most serious of subjects into a source of laughter and joy. “Shoulder Arms” is remembered as one of the first comedic films to tackle the subject of war, ensuring its place as one of the best comedy films of the 1910s.
4. The Oyster Princess – Ernst Lubitsch (1919)
“The Oyster Princess”, directed by Ernst Lubitsch, is a satirical comedy that tells the story of a wealthy American businessman’s daughter determined to enhance her social status by seeking a marriage of convenience with a European aristocrat. The film portrays her extravagant lifestyle filled with luxurious parties and lavish spending, and the ensuing chaos when she meets a penniless prince posing as a count. This encounter sets off a series of comedic events, highlighting the absurdity and superficiality of their high-society world. Lubitsch employs a blend of visual humor and witty dialogue, exploring themes of wealth, status, and romance in a light-hearted manner.
This film stands out for its early use of the “Lubitsch touch,” a distinctive style that combines elegance with a sharp sense of humor, which would become the director’s hallmark. “The Oyster Princess” is celebrated for its clever satire of high society and the absurdities of the upper class, using comedy to expose the shallow preoccupations and pretensions of its characters. The film’s innovative narrative structure and comedic timing make it a significant contribution to the silent film era, showcasing Lubitsch’s mastery in blending sophisticated humor with engaging storytelling. Its enduring appeal lies in its ability to critique social norms with humor, making its commentary as relevant today as it was at the time of its release.
3. The Immigrant – Charlie Chaplin (1917)
In “The Immigrant”, Charlie Chaplin plays the role of a lovable yet unlucky immigrant who experiences a series of comedic misadventures upon arriving in America. The film follows his journey as he navigates the challenges of adapting to a new country, including his disorienting sea voyage and his subsequent endeavors in establishing a new life. Chaplin’s character becomes extremely likeable through his optimistic resilience and his humorous interactions with fellow immigrants and locals. These encounters are both amusing and revealing, offering insights into the experiences of newcomers in a new land. The film combines slapstick humor with touching moments, balancing light-hearted antics with a sincere portrayal of the hopes and hardships of the immigrant experience.
“The Immigrant” is notable for its blend of comedy and social commentary, combining Chaplin’s signature style with a meaningful narrative that resonates with audiences. Chaplin’s performance, both humorous and heartfelt, captures the essence of the immigrant’s struggle with a great deal of empathy. His ability to evoke laughter and sympathy simultaneously is a testament to his unparalleled skill as a performer. “The Immigrant” remains a cherished film for its ability to convey deep emotions and social themes, showcasing Chaplin’s talent as both a comedian and a storyteller, ensuring its place as one of the best comedy films of the 1910s.
2. A Dog’s Life – Charlie Chaplin (1918)
“A Dog’s Life” features Charlie Chaplin in his iconic role as a Tramp, bringing his signature comedic style to life accompanied alongside a loyal canine companion. The film follows their adventures as they navigate the challenges of poverty and the constant search for sustenance and shelter. Chaplin’s character forms a unique bond with the dog, displaying a companionship that resonates with camaraderie, leading to a series of comedic and heartwarming escapades. Their journey is a blend of joy and struggle, as the duo’s quest for survival in a harsh urban landscape unfolds through a series of mischievous and whimsical encounters, reflecting the struggles of the underprivileged with a light-hearted touch.
This film is notable for its use of a dog as a central character, a choice that adds an extra layer of emotional relatability, showcasing Chaplin’s ability to blend humor with emotional depth. The dynamic between Chaplin and the dog adds a layer of charm and warmth to the film, creating moments that are both funny and touching. “A Dog’s Life” is celebrated for its creative storytelling and innovative comedic sequences, which brilliantly capture the essence of life’s simple joys and sorrows. The film’s enduring appeal lies in its combination of comedy, social commentary, and the endearing relationship between a man and his dog.
1. The Doll – Ernst Lubitsch (1919)
“The Doll” by Ernst Lubitsch is a comedic fairy tale set in a colorful and exaggerated world, about a young man who must marry to inherit a fortune. Facing this unusual predicament, he opts for a mechanical doll to fulfill this condition but hilariously ends up mistaking a real woman for the doll. This error sets off an array of comedic scenarios, as the film unfolds with a series of humorous misunderstandings and romantic entanglements, as the young man navigates his accidental courtship with a blend of confusion and surprise. Lubitsch’s direction brings to life a whimsical story filled with playful deception, charming characters, and a lively plot, all brought together with a deft touch of humor and fantasy.
Ernst Lubitsch’s “The Doll” is praised for its imaginative storytelling and visual creativity, with its vibrant costumes and elaborate set designs transporting viewers into a dreamlike world. The film combines elements of romance, comedy, and fantasy, showcasing Lubitsch’s talent for creating engaging narratives with a light-hearted tone. The overall narrative is enhanced by the creative use of visual effects and clever cinematography, which contribute to the film’s enchanting atmosphere. “The Doll” remains a classic of the silent film era, admired for its ability to captivate audiences with its charm and inventive humor, ensuring its place as one of the best comedy films of the 1910s.
Summary
To summarise, here are the ten best comedy films of the 1910s:
- The Cook – Roscoe Arbuckle (1918)
- One A.M. – Charlie Chaplin (1916)
- The Conquest of the Pole – Georges Méliès (1912)
- The Adventurer – Charlie Chaplin (1917)
- Gertie the Dinosaur – Winsor McCay (1914)
- Shoulder Arms – Charlie Chaplin (1918)
- The Oyster Princess – Ernst Lubitsch (1919)
- The Immigrant – Charlie Chaplin (1917)
- A Dog’s Life – Charlie Chaplin (1918)
- The Doll – Ernst Lubitsch (1919)
