The 1930s, known as the Golden Age of Hollywood, witnessed the transition from silent films to talkies, introducing new storytelling techniques and cinematic advancements. Our list celebrates the wide array of films from this decade, showcasing masterpieces that range from gripping dramas and romantic comedies to groundbreaking thrillers and insightful social commentaries. Each film on this list not only captivated audiences of its time but also continues to resonate with viewers today, showcasing the enduring power of cinema. Join us as we journey through a decade of cinematic excellence, revisiting the works of legendary filmmakers and rediscovering the timeless stories they brought to the big screen. Without further ado, let’s take a look at the ten best films of the 1930s.
10. I Was Born, But… – Yasujirō Ozu (1932)
“I Was Born, But…” directed by Yasujirō Ozu, is a silent film that portrays the endearing and sometimes comical story of two young brothers, Ryoichi and Keiji, as they adjust to a new and unfamiliar neighborhood after their family relocates. Set during the time of early 20th-century Japan, the film combines humor with a gentle yet insightful examination of childhood conflicts and challenges. As the narrative unfolds, the boys face bullies and struggle to fit in, a journey filled with moments both humorous and reflective, an experience that deeply resonates with the viewer. Throughout their journey, their father’s role in their lives becomes a central theme, unraveling the complexities of adulthood through the eyes of children.
Under Ozu’s direction, the film brings out the nuances of family dynamics and the challenges posed by shifting societal landscapes in a manner that is both light-hearted and considerate. Given its silent nature, the film’s emphasis on visual storytelling helps to shine a light on Ozu’s exceptional ability to convey emotions without words. Featuring performances by the child actors that are unexpectedly natural and engaging, these young talents bring authenticity to their characters, capturing the innocence and resilience of youth. “I Was Born, But…” is widely celebrated for its enduring relevance and its portrayal of childhood as a timeless and relatable universal experience.
9. The Testament of Dr. Mabuse – Fritz Lang (1933)
“The Testament of Dr. Mabuse”, directed by Fritz Lang, is a thrilling exploration of crime and madness. Immersing viewers in the dark underbelly of Berlin, the film revolves around the enigmatic and unnerving character of Dr. Mabuse, a criminal mastermind who orchestrates a series of complex crimes from within the confines of an asylum. Lang combines elements of suspense and psychological horror as Inspector Lohmann investigates the increasingly dangerous crimes. With each scene, the narrative unfolds in a way that keeps the audience on the edge of their seats, constantly guessing at every turn.
Demonstrating Lang’s mastery in the realm of suspense, his film is a precursor to modern thrillers, employing groundbreaking visual and sound techniques of the early 1930s. Through its visual storytelling and atmospheric tension, the movie’s ability to create an atmosphere of tension and uncertainty is proof of Lang’s exceptional directorial prowess. As it explores themes of power, control, and insanity, the film becomes a compelling study of human nature. “The Testament of Dr. Mabuse” stands as one of the best films of the 1930s, showcasing Lang’s visionary approach to filmmaking and leaving a lasting mark on the thriller genre.
8. The Story of the Last Chrysanthemum – Kenji Mizoguchi (1939)
“The Story of the Last Chrysanthemum” is a film directed by Kenji Mizoguchi that takes place in Tokyo during the late 19th century. In this visually captivating drama, it tells the touching tale of Kikunosuke, an adopted son of a famous Kabuki actor, who hopes to achieve fame in his own right. Yet, as the story progresses, he discovers his talent is lacking. In a pivotal moment, Otoku, a servant in his household, emerges as the only one brave enough to confront him with the honest truth about his skills, causing a deep and profound connection between them. Against the backdrop of a rigidly structured society, their relationship defies the conventions of their time, setting them on a challenging and emotionally fraught path.
Mizoguchi’s film is a heartfelt exploration of ambition, love, and the cost of defying the traditional rules of society. The director’s signature long takes and fluid camera movements create a visually stunning narrative that immerses the viewer in the emotional depth of the story. The performances by the lead actors are deeply emotive, capturing the complexities of the characters’ inner lives with an impressive subtlety and depth. “The Story of the Last Chrysanthemum” is celebrated for its innovative storytelling and its enduring significance in the history of Japanese cinema.
7. All Quiet on the Western Front – Lewis Milestone (1930)
“All Quiet on the Western Front”, directed by Lewis Milestone, is a gripping and intense depiction of World War I seen through the eyes of young German soldiers. Unfolding with stark realism, the story focuses on Paul Bäumer and his school friends, who are driven by patriotic fervor to enlist in the German army. As they embark on their journey, their initial enthusiasm quickly fades as they face the brutal realities of life in the trenches, characterized by relentless violence and hardship. The film portrays the senselessness of war and its devastating impact on the human spirit.
Milestone’s adaptation of Erich Maria Remarque’s novel is a powerful anti-war statement. Using the film’s groundbreaking use of sound and innovative camera techniques, it effectively transports the viewer into the harrowing experience of the soldiers. Featuring performances, particularly that of Lew Ayres as Paul, that are deeply powerful, they capture the transformation from youthful idealism to disillusionment with a raw and emotional depth. “All Quiet on the Western Front” remains one of the most impactful pieces of war cinema ever made, ensuring its place as one of the best films of the 1930s.
6. It Happened One Night – Frank Capra (1934)
“It Happened One Night”, directed by Frank Capra, is a romantic comedy that captures the unexpected and eventful journey of Ellie Andrews, a pampered socialite, and Peter Warne, a savvy and cynical newspaper reporter. In a defiant act of independence, Ellie, having eloped with a fortune-hunter against her wealthy father’s wishes, escapes her father’s clutches and boards a bus heading to New York. On this unlikely journey, it’s here she meets Peter, who quickly discovers her identity and sees through her clever disguise. Sensing a golden opportunity, in exchange for an exclusive story, he agrees to help her reunite with her husband, setting off a series of humorous, unexpected, and endearing romantic misadventures.
Celebrated for its wit and charm, this film stands as a classic of the screwball comedy genre. Capra’s direction balances humor with the evolving and playfully contentious relationship between Ellie and Peter. The on-screen dynamic between Claudette Colbert and Clark Gable is electric, setting the standard for future romantic duos. “It Happened One Night” was the first film to win all five major Academy Awards, proof of its enduring charm and significant cinematic importance.
5. Grand Illusion – Jean Renoir (1937)
“Grand Illusion”, directed by Jean Renoir, is a thought-provoking exploration of human relationships set during the harsh times of World War I. In this narrative, the film focuses on two French soldiers, Captain de Boeldieu and Lieutenant Maréchal, who are captured and held in a German POW camp. As the story unfolds, we follow their interactions with fellow inmates and their German captors, particularly the aristocratic Commandant von Rauffenstein. Throughout its runtime, the film explores themes of class, national identity, and the shared humanity that transcends the bitter divisions of war.
Directed by Renoir, his masterful storytelling and direction elevate “Grand Illusion” to the status of a timeless classic. Highlighting the complexities of human nature, the film’s deep humanism and the thoughtful portrayal of its characters challenge the viewer to reconsider the nature of war. Each scene is brought to life by performances that are subtle yet powerful, with each character adding further depth to the film’s exploration of human bonds. “Grand Illusion” remains a powerful and relevant commentary on the human condition, making it one of the best films of the 1930s.
4. Make Way for Tomorrow – Leo McCarey (1937)
“Make Way for Tomorrow”, directed by Leo McCarey, is a drama that insightfully follows the lives of an elderly couple, Barkley and Lucy Cooper. After losing their home to foreclosure, in a heart-wrenching turn of events, they are forced to live separately with their grown children, who are overwhelmed and ill-prepared to care for them. Throughout the film, it explores the struggles they face in adjusting to this new phase of life, highlighting the emotional and practical challenges of aging. Their enduring love for each other is tested by the harsh realities and the indifference they face from those around them, reflecting deep societal issues.
McCarey’s film is a heartfelt exploration of family dynamics and the often-overlooked plight of the elderly. Each scene is filled with a blend of realism and compassion, striking a delicate balance that avoids melodrama. The performances of Victor Moore and Beulah Bondi as Barkley and Lucy are deeply touching, evoking a sense of empathy as they capture the essence of a lifelong partnership. “Make Way for Tomorrow” is often regarded as a film far ahead of its time, offering a thoughtful and in-depth portrayal of aging and family responsibility.
3. Modern Times – Charlie Chaplin (1936)
“Modern Times”, directed by and starring Charlie Chaplin, is a satirical comedy that humorously critiques the industrialized world. In this insightful narrative, the film follows the iconic character of the Tramp as he struggles to survive in the modern, mechanized world. With Chaplin’s signature style of comedy, he bounces from job to job, enduring the dehumanizing effects of factory work, and later finds himself entangled in various misadventures, including a memorable stint in jail. Throughout these trials, he meets a young homeless woman, and together they navigate the challenges of this new and unforgiving industrial landscape.
Expertly bringing together humor and social commentary, Chaplin’s “Modern Times” is both entertaining and thought-provoking. Many of the film’s scenes have become iconic, particularly the Tramp caught in the cogs of a giant machine, becoming synonymous with the critique of industrialization and its impact on human life and dignity. Chaplin’s masterful performance is both humorous and heartfelt, conveying a deep empathy for the common man. “Modern Times” remains a landmark in film history, celebrated for its innovative blend of comedy with a powerful social message, ensuring its place as one of the best films of the 1930s.
2. M – Fritz Lang (1931)
“M”, directed by Fritz Lang, is a thriller that immerses the audience into the world of crime and justice in Berlin. The story focuses on the relentless hunt for a child murderer, Hans Beckert, who terrorizes the city, causing widespread fear and paranoia. In a city seized by terror, both the police and the criminal underworld, equally disturbed by Beckert’s heinous crimes, undertake a desperate attempt to capture him. Lang expertly highlights the intense psychological portrayal of the criminal’s mind and society’s varied responses to his heinous acts.
In this cinematic landmark, Lang’s innovative use of sound, a relatively new innovation in cinema at the time, adds a chilling and deeply impactful dimension to the storytelling. The film’s visual narrative, characterized by its shadowy cinematography, creates a tense, foreboding atmosphere. In a standout performance, Peter Lorre’s portrayal of Beckert is haunting and nuanced, capturing the complexities and inner turmoil of his character. “M” is a pioneering work in the psychological thriller genre and an insightful commentary on justice and morality.
1. City Lights – Charlie Chaplin (1931)
“City Lights”, directed by the iconic Charlie Chaplin, combines comedy and drama to tell the endearing story of the Little Tramp and his deep affection for a blind flower girl. Embarking on a series of misadventures, the Tramp goes to great lengths to earn money in the hope of helping her. His endeavors include a brief stint as a street sweeper and a comically disastrous boxing match, each episode filled with Chaplin’s trademark humor. Throughout the film, Chaplin’s character remains steadfast in his affection and commitment to the flower girl, unaware of her blindness to his own struggles.
In “City Lights,” Chaplin’s genius in blending slapstick comedy with touching human drama is fully realized, creating a narrative that is both entertaining and deeply moving. The film stands as a masterclass in visual storytelling, conveying deep emotions without the need for dialogue, a testament to the power of silent cinema. Chaplin’s performance, both hilarious and heartwarming, showcases his unique ability to combine comedy and emotion in a way that is universally relatable. “City Lights” is regarded by many as one of the best films of the 1930s, underscoring Chaplin’s enduring legacy as a filmmaker and performer, and his deep impact on the world of cinema.
Summary
To summarise, here are the ten best films of the 1930s:
- I Was Born, But… – Yasujirō Ozu (1932)
- The Testament of Dr. Mabuse – Fritz Lang (1933)
- The Story of the Last Chrysanthemum – Kenji Mizoguchi (1939)
- All Quiet on the Western Front – Lewis Milestone (1930)
- It Happened One Night – Frank Capra (1934)
- Grand Illusion – Jean Renoir (1937)
- Make Way for Tomorrow – Leo McCarey (1937)
- Modern Times – Charlie Chaplin (1936)
- M – Fritz Lang (1931)
- City Lights – Charlie Chaplin (1931)
