Peter O’Toole stands as a towering figure in the world of cinema, known for his charismatic screen presence and versatile performances. His career, spanning several decades, showcases a range of characters, from historical figures to fictional creations, each portrayed with an unmatched level of skill and understanding. These films not only highlight his exceptional acting prowess but also his ability to bring depth and vitality to every character he portrayed. O’Toole’s performances are often noted for their complexity, seamlessly blending subtle nuances with powerful expressions. Each film in this list encapsulates a different facet of O’Toole’s artistic range, demonstrating why he remains an enduring icon to this day. Without further ado, let’s take a look at the ten best Peter O’Toole films of all time.
10. My Favorite Year – Richard Benjamin (1982)
In “My Favorite Year,” Peter O’Toole plays the charismatic yet fading Alan Swann, a once-celebrated movie star facing the twilight of his career. Set during 1954, the film portrays Swann’s journey as he navigates the unfamiliar terrain of a live television comedy show. As the story unfolds, Swann’s world collides with that of Benjy Stone, an enthusiastic and idealistic young writer for the show. Benjy, who deeply idolizes Swann, is tasked with the challenging responsibility of ensuring that his hero remains sober and performs optimally for the live broadcast. Their dynamic interactions serve as a poignant window into the stark contrast between the glamorous Hollywood of yesteryears and the burgeoning, uncharted world of television broadcasting.
O’Toole’s performance in the film is a masterful display of comedy laced with an underlying sense of vulnerability, capturing the multifaceted struggles of a star who is desperately trying to hold onto the remnants of his fading glory. The film highlights the dichotomy between Swann’s vibrant, flamboyant public persona and his more introspective, private challenges. These aspects of his character are skillfully displayed, presenting a layered and compelling narrative. “My Favorite Year” stands out as a humorous yet deeply resonant exploration of the concepts of fame, legacy, and the complex dynamics of mentorship and heroism. Throughout the film, O’Toole’s charm and sharp wit are brilliantly showcased, solidifying this role as a standout performance in his illustrious acting career.
9. The Stunt Man – Richard Rush (1980)
“The Stunt Man” features Peter O’Toole in the captivating role of Eli Cross, a film director whose eccentricity and demanding nature are as legendary as his cinematic genius. The plot revolves around a young, impulsive fugitive named Cameron, who, in a twist of fate, finds himself on Cross’s elaborate movie set. This accidental encounter leads to a series of unforeseen events as Cameron becomes deeply embedded in the world of movie-making. Cross, finding Cameron’s predicament intriguing, extends an offer to him to work as a stunt man, thereby immersing him in a bewildering labyrinth where the boundaries of reality and fiction become increasingly indistinct. The movie explores profound themes of identity, perception, and the elusive distinction between illusion and actuality.
O’Toole’s portrayal of Eli Cross is nothing short of masterful, seamlessly capturing the layers of obsession and control that define his character. His performance is the cornerstone of the film’s in-depth exploration of the power dynamics prevalent in the film industry, as well as the subtle art of manipulation that often underpins the process of filmmaking. “The Stunt Man” is notable for its groundbreaking storytelling approach and its ability to engage viewers in a thought-provoking examination of the images presented on screen. His dominant screen presence, coupled with the film’s unconventional narrative style, firmly establish this as one of the best Peter O’Toole films of all time.
8. How to Steal a Million – William Wyler (1966)
In “How to Steal a Million,” Peter O’Toole shines as the suave Simon Dermott, an art thief whose charming demeanor contradicts his criminal profession. The film is a classic romantic comedy, set against the picturesque backdrop of Paris. In this vibrant setting, O’Toole’s character Simon unexpectedly encounters Audrey Hepburn’s character, Nicole Bonnet, the daughter of a skilled art forger. Their lives intertwine under unusual circumstances when Nicole discovers that a sculpture, one of her father’s clever forgeries, is in danger of being publicly unmasked as a fake. In a desperate bid to protect her father’s secret and their family’s reputation, she seeks Simon’s expertise in art theft to preemptively steal the sculpture.
O’Toole’s portrayal of Simon Dermott is a delightful mix of charm and wit, perfectly complementing Hepburn’s portrayal of the graceful yet determined Nicole. His performance is marked by an air of playful sophistication, infusing the film with a lighthearted and engaging energy. “How to Steal a Million” is renowned for its elegant direction, sharp and witty script, and the enchanting interplay between its two main characters. The film remains a standout in the romantic comedy genre, owing much to the dynamic performances of its leading actors. It serves as a testament to Peter O’Toole’s vast range as an actor, demonstrating his exceptional ability to enthrall audiences in a role that blends comedy with romantic intrigue.
7. Stardust – Matthew Vaughn (2007)
“Stardust” features Peter O’Toole in an unforgettable cameo role as the ailing King of Stormhold, ruler of a realm brimming with enchantment and intrigue. This fantasy adventure film, an adaptation of Neil Gaiman’s acclaimed novel, chronicles the journey of a young man named Tristan, who embarks on a quest into a mystical land. His mission is to retrieve a fallen star, a symbol of his devotion to his beloved. Within this captivating narrative, O’Toole’s character, though appearing briefly, plays a pivotal role by initiating a fierce contest among his potential heirs for the coveted throne. His command as king helps to ignite the core narrative of the film, adding a layer of complexity to its magical and whimsical ambiance.
Despite his brief appearance, O’Toole’s portrayal in “Stardust” leaves a lasting impact. His depiction of the monarch is filled with dignity and a subtle complexity, greatly enhancing the film’s mesmerizing and otherworldly atmosphere. “Stardust” is celebrated for its vibrant storytelling, filled with colorful characters, and a harmonious blend of humor and romantic elements, making it one of the best Peter O’Toole films. His contribution not only underscores his versatility as an actor but also cements his legacy in a movie that masterfully brings together the elements of fantasy and adventure. His role in “Stardust” is a testament to his talent, showcasing his ability to bring depth and gravitas to even the most brief and fantastical of roles.
6. The Ruling Class – Peter Medak (1972)
“The Ruling Class” stars Peter O’Toole as the captivating and unpredictable Jack, the 14th Earl of Gurney, an English nobleman with a unique and delusional belief in his own divinity, convinced he is Jesus Christ. This belief forms the crux of the narrative, leading to an array of outlandish scenarios. After unexpectedly inheriting the earldom, his mental state triggers a succession of bizarre and comical events, particularly as his opportunistic family devises various schemes to ‘cure’ him, driven more by their greed than concern for his wellbeing. The film ingeniously blends elements of satire and dark comedy, inviting the audience to ponder on deeper issues related to power dynamics, societal class structures, and the often blurred lines between sanity and insanity.
O’Toole’s performance in “The Ruling Class” is a blend of humor and profound introspection, demonstrating his incredible versatility and depth as an actor. His portrayal adeptly navigates the layers of Jack’s psyche, maintaining a delicate balance between humor and the more serious undertones of his character’s delusions. This balancing act is a testament to O’Toole’s skill in bringing complex characters to life. The film is widely praised for its innovative amalgamation of comedy with dramatic elements, and its incisive critique of the eccentricities and contradictions within the British aristocracy. O’Toole’s captivating performance, combined with the film’s non-traditional storytelling approach, ensures “The Ruling Class” is recognized as a remarkable and unconventional work.
5. Becket – Peter Glenville (1964)
In “Becket,” Peter O’Toole delivers a captivating and multidimensional performance as King Henry II, a role that he inhabits with a blend of intensity and subtlety. His complex relationship with Thomas Becket, portrayed with equal skill by Richard Burton, forms the heart of the film. Set during the 12th century, the narrative focuses on Becket’s dramatic transformation from a hedonistic confidant of the king to becoming the Archbishop of Canterbury. This shift in his role creates an escalating tension as it places him in direct opposition to Henry’s authority. The film navigates through themes of friendship, loyalty, and the contentious dynamics between religious devotion and royal power, with O’Toole and Burton delivering exceptionally nuanced and engaging performances.
O’Toole’s portrayal of Henry II is a fine balance of authority and subtlety, masterfully capturing the monarch’s evolution from a seemingly carefree ruler to one deeply embroiled in a profound conflict with his closest friend. This transformation is portrayed with an emotional depth that speaks to O’Toole’s extensive acting prowess. The chemistry between O’Toole and Burton significantly enhances the complexity of their characters’ relationship, adding a layer of realism and intensity. “Becket” is widely acclaimed for its historical setting, dramatic vigor, and the stellar performances of its leading actors, making this one of the best Peter O’Toole fimls. This film not only highlights his exceptional ability to bring historical figures to life but also demonstrates his skill in articulating the emotional states of mind and conflicts inherent in such roles.
4. Ratatouille – Brad Bird (2007)
In “Ratatouille,” Peter O’Toole brings to life the character of Anton Ego, a critic whose reputation for being stern and exacting precedes him, with his voice lending gravitas to this formidable and highly respected food critic in Paris. The animated film centers around Remy, a rat whose passion and innate talent for cooking sets him apart in the culinary world, and who harbors the dream of becoming a renowned chef. This dream leads to an unexpected alliance with a kitchen worker named Linguini, through which Remy ingeniously finds a way to exhibit his culinary prowess in one of Paris’s most esteemed restaurants. The critical role of Anton Ego is pivotal, as his opinions have the power to elevate or demolish a restaurant’s standing, thereby injecting a blend of suspense and exhilaration into the plot.
O’Toole’s voice acting for Anton Ego is a compelling mix of authority and expressiveness, effectively bringing to life the nuances of this critical character. His performance adeptly captures the critic’s journey from initial skepticism to a gradual, transformative appreciation as he experiences Remy’s exceptional cooking. “Ratatouille” is lauded for its heartwarming story, visually striking animation, and its witty portrayal of the culinary universe. O’Toole’s contribution to the film not only heightens its emotional response but also adds a distinctive touch of refinement to this enchanting story.
3. The Last Emperor – Bernardo Bertolucci (1987)
“The Last Emperor” features Peter O’Toole in the role of Reginald Johnston, a character whose wisdom and perspective are crucial to the narrative. He serves as the tutor to Puyi, the last Emperor of China, in this epic biographical film. The film’s expansive narrative chronicles the life of Puyi, capturing his journey from his early ascension to the throne as a child, through the complex phases of his life, to his eventual imprisonment and political rehabilitation under the Communist regime. Johnston’s influence is pivotal in shaping Puyi’s worldview, introducing him to concepts and lifestyles far removed from the insular world of the Forbidden City, and immersing him in Western ideologies and culture.
O’Toole’s portrayal of Reginald Johnston is a blend of insight and gravitas, skillfully bringing to life the character’s understanding and respectful approach to the cultural and ideological divides between the East and West. His performance adds a further dimension of depth to the film, shedding light on the subtle nuances of Puyi’s exposure to and interactions with Western thought and its impact on his life. “The Last Emperor” is widely acclaimed not just for its grand narrative scope and visual grandeur, but also for its deep historical insight, making it one of the best Peter O’Toole films. His nuanced and thoughtful performance is a cornerstone of the film, significantly enhancing its depiction of a transformative period in Chinese history.
2. The Lion in Winter – Anthony Harvey (1968)
“The Lion in Winter” features Peter O’Toole in a commanding role as King Henry II, giving the character a sense of majesty and complexity. Set during Christmas in the year 1183, the film explores the internal family squabbles and the high-stakes political maneuvers as Henry grapples with the decision of choosing a successor to his throne. His potential heirs include his three ambitious and distinctively different sons, and the film also spotlights his wife, Eleanor of Aquitaine, portrayed with by Katharine Hepburn, who harbors her own strategic plans. The narrative unwinds as a tightly-wound and cleverly scripted drama, replete with intense political scheming and complex family dynamics.
O’Toole’s portrayal of Henry II is both dynamic and subtle, masterfully capturing the king’s multifaceted nature, showcasing his formidable strength and his seldom-seen vulnerabilities. The film is notable for its razor-sharp dialogue, intense performances by the cast, and its thoughtful portrayal of historical figures, endowing them with a sense of depth and relatable humanity. O’Toole’s on-screen chemistry with Hepburn is especially remarkable, adding a profound depth to the portrayal of their complex and tumultuous relationship. “The Lion in Winter” stands as not only a testament to O’Toole’s immense acting talent but also as an engrossing depiction of the convoluted politics and personal dramas of medieval times.
1. Lawrence of Arabia – David Lean (1962)
“Lawrence of Arabia,” a cinematic tour de force directed by David Lean, showcases Peter O’Toole in the unforgettable role of T.E. Lawrence, a British officer during the times of World War I. This sprawling epic paints an epic portrait of Lawrence’s daring exploits and strategic prowess. The film chronicles Lawrence’s transformative experiences in the Arabian Peninsula, with a particular focus on his pivotal role in the Arab Revolt against the might of the Ottoman Empire. Lawrence’s evolution from a relatively unassuming officer to a deeply conflicted and magnetically charismatic leader is the focus of this grand narrative. Renowned for its stunning desert vistas, the film also takes us on a deep exploration of Lawrence’s multifaceted personality and the complex motivations driving his actions.
O’Toole’s portrayal of T.E. Lawrence stands as a monumental achievement, often cited as one of the most remarkable performances in film history. His outstanding interpretation of Lawrence captures the enigmatic charisma, keen intelligence, and the intense personal struggles of the character, infusing the role with a realism that breathes life into this historical figure. The film’s grandiose scale, coupled with its detailed exploration of its central character, creates an unforgettable cinematic experience. “Lawrence of Arabia” is not only one of the best Peter O’Toole films, but also a landmark in the annals of film history, garnering acclaim for its visionary direction, visual splendor, and its powerful, immersive storytelling.
Summary
To summarise, here are the ten best Peter O’Toole films of all time:
- My Favorite Year – Richard Benjamin (1982)
- The Stunt Man – Richard Rush (1980)
- How to Steal a Million – William Wyler (1966)
- Stardust – Matthew Vaughn (2007)
- The Ruling Class – Peter Medak (1972)
- Becket – Peter Glenville (1964)
- Ratatouille – Brad Bird (2007)
- The Last Emperor – Bernardo Bertolucci (1987)
- The Lion in Winter – Anthony Harvey (1968)
- Lawrence of Arabia – David Lean (1962)
