Werewolf films of the 70s not only entertained audiences but also pushed the boundaries of storytelling and special effects. From the remote villages of Europe to the bustling streets of modern cities, each film on this list offers a distinct take on the age-old legend of the werewolf. These films showcase a range of styles, from Gothic horror to action-packed thrillers, reflecting the diversity of 70s cinema. These films are not just about the terror of transformation but also explore deeper themes such as identity, survival, and the battle between one’s humanity and inner beasts. Without further ado, let’s take a look at the ten best werewolf films of the 70s.
10. Moon of the Wolf – Daniel Petrie (1972)
In “Moon of the Wolf”, directed by Daniel Petrie, we are immersed in the rural landscape of Louisiana. Here, a series of mysterious and violent deaths have unsettled the small, close-knit community of Marsh Island. Sheriff Aaron Whitaker, a man deeply rooted in the town’s values and ways of life, grapples with the unnerving events that disrupt the peace of his jurisdiction. As Whitaker delves deeper into the investigation, he comes to a startling realization that these brutal killings are not the work of a wild animal, but rather something far more sinister and unnatural. This revelation propels him into a nightmarish confrontation with a creature that defies his very understanding of reality.
Petrie’s film is renowned for its atmospheric setting, which becomes a character in its own right, amplifying the sense of dread and mystery that permeates the story. Also, the use of lighting is skillfully executed, casting shadows and creating visuals that contribute to an ongoing feeling of unease and suspense. The director’s masterful balance of suspense and horror elements creates an experience that is both thrilling and chilling. “Moon of the Wolf” takes a unique approach to the werewolf legend, seamlessly blending traditional lore with a narrative that feels contemporary and relevant. This innovative combination ensures that the film stands out as a distinct and memorable entry in the genre.
9. Werewolves on Wheels – Michel Levesque (1971)
“Werewolves on Wheels”, directed by Michel Levesque, is a striking fusion of the biker and horror genres, taking place in the rugged, dusty backroads of America. The narrative focuses on a motorcycle gang who live on the edge of society and embrace a life of freedom. Their journey takes an unexpected turn after a fateful encounter with a mysterious cult, an event that leaves them with a chilling curse. As they continue their travels, haunted by a series of bizarre and terrifying events, the gang realizes that one of them is undergoing a monstrous transformation into a werewolf. This revelation sets the stage for the film’s gripping narrative, capturing the group’s struggle to comprehend and confront the ominous curse that has upended their lives.
Michel Levesque’s film is notable for its bold and unconventional approach to the werewolf theme. It innovatively mixes the raw freedom and rebellious spirit inherent in biker culture with the chilling terror of the supernatural. The film’s gritty and raw cinematography brilliantly reflects its edgy narrative, drawing viewers into a world where the seemingly endless open road conceals dark and sinister secrets. The performances of the cast are intense, capturing the desperation and confusion of the characters as they face a nightmarish reality that challenges their understanding of the world. “Werewolves on Wheels” earns its place as one of the best werewolf films of the 70s thanks to its remarkable ability to defy traditional genre conventions.
8. The Rats Are Coming! The Werewolves Are Here! – Andy Milligan (1972)
“The Rats Are Coming! The Werewolves Are Here!” directed by Andy Milligan, is a compelling film set in late 19th-century England. This story centers on the reclusive Mooney family, who hold a dark and supernatural secret that is shrouded in mystery. Upon the return of the youngest daughter, a learned and independent woman fresh from her studies in medicine, she is confronted with a family in disarray, entangled in a web of chaos and internal conflict. As the narrative progresses, the Mooney family’s ominous and shadowy legacy is gradually unveiled, revealing a longstanding curse that has ensnared them for generations, leading to a climactic confrontation with their fate.
Andy Milligan’s creation is a blend of horror and drama, set against the detailed Victorian backdrop of 19th-century England. The film is characterized by its low-budget production values, which instead of detracting, add a layer of eerie authenticity and an unsettling atmosphere to the viewing experience. The characters within the film are portrayed with a sense of depth and realism, each one individually wrestling with their personal demons and the curse that unites them. Throughout the film, Milligan navigates through themes such as the deep bonds of family loyalty and the internal struggle against one’s own darker impulses, securing “The Rats Are Coming! The Werewolves Are Here!” as a distinctive and unforgettable entry in werewolf cinema.
7. The Beast Must Die – Paul Annett (1974)
In “The Beast Must Die”, directed by Paul Annett, the narrative masterfully combines elements of mystery and horror to create a gripping tale. The film revolves around the wealthy Tom Newcliffe, who invetes a diverse group of guests to his secluded estate. However, Newcliffe believes that one of the guests is hiding the fact that they are a werewolf, and he is determined to identify and exterminate this hidden threat. As the tension escalates with the looming full moon, the guests become pawns in Newcliffe’s deadly game, leading to an atmosphere of suspicion and fear. The film keeps viewers on the edge of their seats, as Newcliffe employs advanced surveillance technology and relies on his sharp instincts to unravel the mystery of the beast’s true identity.
Director Paul Annett gives “The Beast Must Die” a unique flair, combining the intrigue of a classic whodunit with the spine-chilling elements of traditional horror. The film stands out due to its pioneering “werewolf break,” a creative narrative device that breaks the fourth wall and actively engages the audience, inviting them to participate in solving the central mystery. The suspense within the film is carefully crafted, combining psychological tension and dynamic action sequences that keep the viewer thoroughly engaged. “The Beast Must Die” offers a unique and entertaining experience, ensuring its place as one of the best werewolf films of the 70s.
6. Night of the Howling Beast – Miguel Iglesias (1975)
“Night of the Howling Beast”, directed by Miguel Iglesias, is an adventure tale set in the vast, snow-covered wilderness of the Himalayas. The film chronicles the daring exploits of the explorer Waldemar Daninsky, played by Paul Naschy, who embarks on a quest to uncover the truth behind the mythical Yeti. His journey, initially driven by curiosity and a thirst for discovery, takes a dangerous turn upon encountering a group of treacherous criminals and an enigmatic woman whose allure is as mysterious as the landscape itself. As the narrative intensifies, Waldemar finds himself cursed, undergoing a harrowing transformation into a werewolf, igniting a series of events teeming with peril and supernatural horror.
Under Iglesias’ direction, “Night of the Howling Beast” presents a fusion of adventure and horror elements, injecting a freshing perspective into the werewolf genre. The film’s cinematography is striking, capturing the breathtaking beauty of the Himalayan landscape. The werewolf transformation scenes stand out, demonstrating remarkable special effects that were particularly advanced for the era. Additionally, the film explores themes such as the resilience of the human spirit in the face of unimaginable challenges and the internal conflict between civilization and our more primal instincts. These themes are seamlessly brought into the narrative, making “Night of the Howling Beast” a thrilling cinematic experience.
5. Legend of the Werewolf – Freddie Francis (1975)
In “Legend of the Werewolf”, directed by Freddie Francis, we are transported to the dimly lit, gas-lit streets of 19th-century Paris, a city brimming with mystery and Gothic allure. The story centers around Etoile, a young boy with a tragic upbringing, having been raised by wolves in the wilderness. Fate brings him to the chaotic city of Paris, where he begins a new life full of challenges. Working in a zoo, Etoile finds himself at a crossroads as he confronts his animalistic nature, which becomes increasingly obvious under the influence of the full moon. His internal conflict takes on a deeper dimension when he falls in love, further entangling his already complicated and tormented existence.
Freddie Francis’ film is a masterful blend of horror and romance, creating a narrative that is both captivating and emotionally powerful. It explores the depths of Etoile’s inner conflict, portraying his struggle as he alternates between his human self and the beast within. The film is notable for its atmospheric portrayal of Paris, immersing the story in a veil of Gothic charm that enhances the mystical and eerie ambiance. The performances are a highlight, with the protagonist’s portrayal capturing the essence of Etoile’s conflict. This powerful depiction ensures “Legend of the Werewolf” remains one of the best werewolf films of the 70s.
4. Santo and Blue Demon vs. Dracula and the Wolf Man – Miguel M. Delgado (1973)
“Santo and Blue Demon vs. Dracula and the Wolf Man”, directed by Miguel M. Delgado, is an exhilarating combination of horror, action, and the spectacle of wrestling. This film features the legendary luchadores Santo and Blue Demon, icons in the wrestling world, as they confront their most daunting adversaries to date. The plot escalates when the infamous Dracula and the fearsome Wolf Man are resurrected to wreak havoc and spread terror. In this scenario, it falls upon the shoulders of these celebrated wrestling heroes to thwart the sinister plans of these classic monsters. Santo and Blue Demon are forced to use not just their physical prowess but also their sharp wits and unwavering courage in a valiant effort to save the day.
Miguel M. Delgado’s film stands out as a dynamic and spirited contribution to the Mexican wrestling film genre, commonly known as “Lucha Libre films.” The fusion of quintessential horror themes with the high-octane action of wrestling results in a cinematic experience that is both unique and immensely entertaining. The movie has gained acclaim for its array of vibrant characters and its extravagant storytelling, all of which is filled with an infectious sense of fun that resonates throughout each scene. Additionally, the special effects and makeup work, particularly those used in bringing the characters of the Wolf Man and Dracula to life, lend an authentic classic horror ambiance to this adventurous narrative.
3. The Werewolf Versus the Vampire Woman – León Klimovsky (1971)
In “The Werewolf Versus the Vampire Woman”, directed by León Klimovsky, the audience is immersed in a world of Gothic horror. The film focuses on the tormented character of Waldemar Daninsky, a man afflicted with a dreadful curse that transforms him into a werewolf. His story takes a sinister turn when he encounters a malevolent vampire woman. Set against the backdrop of a haunting and desolate European landscape, the narrative unfolds as Waldemar engages in a harrowing battle, confronting not only the demons of his curse but also the diabolical machinations of the vampire. This clash of supernatural entities creates a narrative that is both darkly captivating and filled with suspenseful thrills.
Under Klimovsky’s direction, the film excels in creating an atmosphere of suspense and terror. The cinematography is particularly effective at capturing the eerie, melancholic essence of the Gothic settings, enhancing the horror aspects of the story. The use of makeup and special effects for the werewolf transformations is executed with remarkable skill, contributing significantly to the film’s powerful and visceral impact. Furthermore, the performances throughout the film are exceptionally strong, with Paul Naschy in particular bringing a convincing and compelling depth to his role. These elements combine to cement “The Werewolf Versus the Vampire Woman” as a one of the best werewolf films of the 70s.
2. The Ancines Woods – Pedro Olea (1970)
In “The Ancines Woods”, directed by Pedro Olea, the audience is transported to the secluded confines of a remote Spanish village. The story revolves around the life of Barbara, a woman struggling with a family curse that transforms her into a werewolf. As Barbara grapples with the implications of her terrifying condition, the villagers around her become increasingly engulfed in a tide of suspicion and developing fear. The film reveals the deepening struggles of Barbara and her devoted brother, who is unwavering in his determination to protect her, as they both confront the harsh realities of the curse in an environment increasingly rife with hostility and steeped in superstition.
Pedro Olea’s direction in “The Ancines Woods” constructs a narrative that deeply explores themes of misunderstanding and prejudice. The cinematography is exceptional in its ability to capture the haunting, ethereal beauty of the Spanish countryside, setting an ideal stage for this dark tale. The film employs suspense and a pervasive sense of impending doom with great effect, drawing the audience into the tragically unfolding world of its central characters. The performances throughout the film portray the complex interplay between fear, familial bonds, and the inevitability of fate. This exploration of human dynamics in the face of otherworldly forces makes “The Ancines Woods” a thought-provoking and memorable contribution to the werewolf genre.
1. Wolf Guy – Kazuhiko Yamaguchi (1975)
“Wolf Guy”, directed by Kazuhiko Yamaguchi, revolutionizes the werewolf genre by combining it with a blend of Japanese action and supernatural elements, creating an electrifying cinematic experience. The film portrays the story of Akira Inugami, who is the last remaining descendant of an ancient werewolf clan, enduring amidst the harsh realities of a modern, urban landscape. Inugami finds himself trapped in a web of intrigue, involving a sinister disease, the dark underbelly of corporate corruption, and a vengeful plot that tests the limits of his endurance. Armed with his unique supernatural abilities, Inugami embarks on a perilous journey to unearth the truth and confront the shadowy figures who seek to harness his powers for their own nefarious ends.
Kazuhiko Yamaguchi’s “Wolf Guy” is a thrilling combination of genres, integrating the age-old mythology of the werewolf with the intense action of martial arts, the dramatic depth of Yakuza conflict, and an array of psychedelic visual effects. The film’s action sequences are carefully choreographed, highlighting Inugami’s extraordinary werewolf capabilities. The story of the film is both captivating and non-traditional, offering a refreshing interpretation of classic werewolf lore. The cinematography is stylishly executed, complemented by vibrant visuals that enhance the film’s unique and arresting aesthetic. These elements all come together to make “Wolf Guy” one of the best werewolf films of the 70s.
Summary
To summarise, here are the ten best werewolf films of the 70s:
- Moon of the Wolf – Daniel Petrie (1972)
- Werewolves on Wheels – Michel Levesque (1971)
- The Rats Are Coming! The Werewolves Are Here! – Andy Milligan (1972)
- The Beast Must Die – Paul Annett (1974)
- Night of the Howling Beast – Miguel Iglesias (1975)
- Legend of the Werewolf – Freddie Francis (1975)
- Santo and Blue Demon vs. Dracula and the Wolf Man – Miguel M. Delgado (1973)
- The Werewolf Versus the Vampire Woman – León Klimovsky (1971)
- The Ancines Woods – Pedro Olea (1970)
- Wolf Guy – Kazuhiko Yamaguchi (1975)
